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In August 2014 an Islamic State massacre of unimaginable proportions took place during the rapid invasion of the Yazidi people in Sinjar, northern Iraq. Young Yazidi women were separated from the old and taken to the Galaxy Cinema in Mosul. There they were paraded, selected, enslaved, tortured and systematically raped. Some were only 11 years old. Young Yazidi women were separated from the old and taken to the Galaxy Cinema in Mosul. There they were paraded, selected, enslaved, tortured and systematically raped. Some were only 11 years old. Yazidis, including the female victims, believe that sexual contact with a non-Yazidi, even through rape, results in a loss of Yazidi identity. The film asks what it means to be a survivor of genocidal violence and slavery in 2016. How does one restore the girls’ dignity and help them heal? How do the women get justice for these heinous crimes? The film delves into the lives of the young Yazidi women. This is their story.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
Chronological look at the fiasco in Iraq, especially decisions made in the spring of 2003 - and the backgrounds of those making decisions - immediately following the overthrow of Saddam: no occupation plan, an inadequate team to run the country, insufficient troops to keep order, and three edicts from the White House announced by Bremmer when he took over.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
Thirteen years of war. Dozens of car bombings every month. One goal: to become an Olympic champion. The true story of grit and determination, of young men literally fighting for their lives one day on the battlefields of Iraq and competing to fight for their Nation the next one. Despite living under the persistent threat of ISIS, these athletes will strive to accomplish their task. The amazing journey of the Iraq National Team from obscurity and desperation to the edge of an historical qualification to Rio 2016. Will private Waheed be able to manage his army duty with his desire to go to the Games? Is young Jafaar ready to aspire to the Olympic stage he has been dreaming of, despite living in the most dangerous suburb in the world? Will promising heavyweight Saadi come back from his mission to liberate Falluja? Will Iraq finally be a peaceful Country?
Carne Ross was a government highflyer. A career diplomat who believed Western Democracy could save us all. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.
There were two wars in Iraq-a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
An opus in three parts, Iraq In Fragments offers a series of intimate, passionately-felt portraits: A fatherless 11-year-old is apprenticed to the domineering owner of a Baghdad garage; Sadr followers in two Shiite cities rally for regional elections while enforcing Islamic law at the point of a gun; a family of Kurdish farmers welcomes the US presence, which has allowed them a measure of freedom previously denied. American director James Longley spent more than two years filming in Iraq to create this stunningly photographed, poetically rendered documentary of the war-torn country as seen through the eyes of Sunnis, Shiites and Kurds.
An intrepid archeology professor and his team of students are the only ones who stand in the way of an ISIS illicit antiquities network. Faced with losing their cultural heritage they become spies and they go undercover in ISIS territory. They dodge bombs and militia to create a system to monitor theft and destruction of Syrian antiquities. During this process, they discover more than they anticipated, discovering thousands of trafficked items and that the crimes committed are being enabled by terrorists and multinational corporations. The tragedy continues because the sale of illegal goods are uncovered in the most unsuspecting place.
Filmmaker River Hagg travels to war-torn Syria, in hopes of documenting the war between the YPG and ISIS. He eventually finds himself in a volunteer unit, the only medics on the battlefield.