فرحين

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

When a script is unexpectedly switched, a dyslexic actor struggles to navigate his conservatory audition. Mixing the Greek myth of Chiron and the textures of off-off-Broadway theater, "All the Words on the Page " is an anxious tale about wrestling with an invisible disability.

After passing out, Louise, playing Dorothy in her senior production of The Wizard of Oz, must fight to go on-stage while navigating the selfish interests of her co-stars in this fantastical ode to musical theater.

Rayane, a Lebanese woman, talks with her one-night-stands and lovers about how, strangely, she has great memories of the 2006 Israeli-Lebanese war.

What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.

An original, semi-modernized musical adaptation of Shakespeare's classic romance.

Mathan, 19, arrives in Paris with Jacques, a famous gay writer in his 50s. Then arises the sexy Olivier, flamboyant thirty, friend of Jacques. How will Mathan get out of the clutches of this "old" couple? Desires, doubts, seduction and jealousy, the ingredients of a tender and insolent comedy on the shock of generations and the question of the couple over time.

When his best friend pushes him to try out for the local musical, Charlie decides to take his shot, but things start to get messy when his drug lord dad intervenes.

The story of Nina, a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her retired ballerina mother Erica who zealously supports her daughter's professional ambition. When artistic director Thomas Leroy decides to replace prima ballerina Beth MacIntyre for the opening production of their new season, Swan Lake, Nina is his first choice.

Mary has just been released from prison. She wants to come home and forget all about it but Briana has other ideas. Over a tumultuous two days a family is forced to confront not just their past but themselves. Because even if you refuse to hear the truth, the truth doesn’t go away. Róisín McBrinn returns to Clean Break (Favour) to direct this powerful story of family and forgiveness by Deborah Bruce (The House They Grew Up In). A co-production from National Theatre and Clean Break.