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Barbra Streisand and Walter Matthau make for quite a formidable team in this entertaining comedy drama about a marriage broker ("Dolly") who is engaged to find a bride for the wealthy "Horace". He is a bit cantankerous so she has her work cut out for her, but undeterred - she travels to Yonkers where she embroils his two clerks "Cornelius" (Michael Crawford) and "Barnaby" (Danny Lockin) in more affairs of the heart with "Minnie" (E.J. Peaker) and "Irene" (Marianne McAndrew) before a denouement that we all expected, but is nonetheless fun to watch. This film really all belongs to a star very much at the top of her game delivering some pithy lines whilst attired in crippling corsets and dancing in some uncomfortable looking lace-up boots. Directed by Gene Kelly so you would expect the ensemble dance numbers to be top drawer, and the they are - synchronised to within an inch of their lives, but always looking natural and flowing enthusiastically. Jerry Herman certainly does the business with the lyrics - "Put on Your Sunday Clothes"; "It Takes a Woman" and the Louis Armstrong assisted title song all make this a quickly paced and enjoyable romp through all things mischievous, Jewish and one that is at times almost bawdy. Matthau is a revelation - he really enters into the spirit of things and Michael Crawford (though never my favourite singer) demonstrates a nimble fleetness-of-foot that adds a charm to the proceedings too. I couldn't quite believe that 2½ hours flew by so quickly and if you are a fan of top-end musical theatre then you are in for a real treat.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
In director Baz Luhrmann's contemporary take on William Shakespeare's classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard's dialogue remains.
After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Talking about his father’s loneliness soon leads to a meeting with a young female journalist, who has flown to Seattle to write a story about the boy and his father.
The Marquise de Saint-Ange wants to marry her niece Nicole, but the young girl, put off by the chosen suitor, flees with her friend Jacques.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.