War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
“Sunfish (& Other Stories on Green Lake” is a film that’s undeniably pleasing to look at, but ultimately leaves you with more questions than answers. Plus, it’s painfully dull. In her feature debut, director Sierra Falconer attempts to capture the quiet rhythms of life around Green Lake, where the lives of various characters intersect. While it feels highly personal and paints a vivid picture of a peaceful lakeside town, the film doesn’t quite manage to land the emotional depth or storytelling impact it seems to be striving for. The anthology format is pointless here. The way the stories are tied together seems strained, and instead of feeling like an organic exploration of lives intersecting, it comes across more like a collection of loosely connected sketches that never quite form a cohesive whole. The characters, while potentially interesting on paper, are underdeveloped and downright forgettable. A girl learning to sail, a boy fighting for first chair, two sisters running a bed-and-breakfast, and a fisherman chasing the catch of his life — none of these storylines feel particularly compelling or new. Each scenario is pleasant but lacks the spark needed to make it feel in any way meaningful. The performances don’t help much, either. While the cast is clearly giving it their best, the acting is amateurish. The cast lacks the skill to convey the depth and nuance needed to truly bring these characters to life. It’s hard to get invested in a character when the performances don’t quite convince you of their emotional journey. The film does manage to do a few things well, like evoking a sense of nostalgia for those lazy summer days spent by a lake. There’s a certain charm to the film’s introspective cinematography, which captures the water’s beauty and the quiet moments of life. The film is clearly crafted with a lot of love for its setting, and you can feel Falconer’s sensitivity to both people and place. The sounds, colors, and textures of the lake are immersive as you’re transported into this serene world. But even with its pretty imagery and introspective moments of human connection, “Sunfish (& Other Stories On Green Lake)” ultimately rings hollow. There’s a certain emptiness in its storytelling that lacks the depth and emotional pull to make it truly meaningful or memorable. By: Louisa Moore / SCREEN ZEALOTS