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The Ingraham Angle - (Mar 1st)
Wizards Beyond Waverly Place - (Feb 28th)
Americas Newsroom - (Feb 28th)
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The Five - (Feb 28th)
The Last Leg - (Feb 28th)
Richard Osmans House of Games - (Feb 28th)
Deadline- White House - (Feb 28th)
Cops - (Feb 28th)
Gogglebox - (Feb 28th)
Yorkshire Air 999 - (Feb 28th)
Tipping Point - (Feb 28th)
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Death in Paradise - (Feb 28th)
Katy Tur Reports - (Feb 28th)
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A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.
After Luke's sister goes missing, he begins having dreams of a strange house. Unbeknownst to him, that house is owned by Alan Roscoe Jr., passed down to him after the recent death of his father. But something about this house isn't quite right, and Alan seems to tend to it in strange and disturbing ways.
The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?
Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.
The black and white, live-action Swiss Trip, scored with Bach's 3rd Brandenburg Concerto (like Motion Painting No. 1), is kind of a nature or travel film cut via noticeable (in-camera?) edits that give the impression the film is constantly blinking and foreshadow techniques Stan Brakhage would use in the '50s and '60s. Preserved by the Academy Film Archive in 2000.
In a local cafeteria, an unlikely trio of friends argue about how to rob the bank from across the street. It all changes when the waitress who serves them discovers their plans.