Proyecto muerto v6 (6).mp4

Almost 10 years after being charged with a heinous crime, former members of a Chilean cult share their haunting experiences.

A short documentary about the community within and history surrounding a historically Black Brooklyn mosque, produced in collaboration with the Jacob Burns Film Center.

A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.

The film tells about a previously unknown episode of Paul Robeson’s biography — a secret conversation in 1949 in a room at the Moscow Hotel with the Jewish poet Itzik Feffer, who told Robeson the circumstances of Mikhoels' death. Paul Robeson Jr. shares his memories, having learned about this secret just before the death of his father, and it is the first time he tells the filmmakers about it.

Original interviews, rare archive footage and a lot of music, retelling the story of one of the most successful pop groups of all time.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

The fears and resiliencies within a group of teenage refugees from Ukraine are uncovered in this film that brings the camera steps away from the front lines to the Ukraine-Poland border.

The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.

25 years after the verdict in the Jamie Bulger murder trial, we reveal what the jury, public and press never heard, and what his two killers, Thompson and Venables, said during their time in custody from arrest to release.