Historias de vida en la carretera

Imagine driving along the smooth slope of the highway. Car in cruise control with the landscape just flashing by as you make your way to your destination. Then out of nowhere comes a massive, slow truck. In this moment, everything changes! Research has showed that for every dead truck driver there are nine fatally injured passengers. Why is this so?

Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.

A "loose-knit" community of crypto-anarchists emigrate to Acapulco, a city recently ranked as the fourth most dangerous in the world, to escape the powers of nation-states. But several years later, the group diverges into to different visions of liberty.

Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.

Tens of thousands of Mexicans have been killed in drug-related gang violence in the past ten years. Ruthless criminals control the illegal trade with the US, thought to be worth $13bn a year. Now one of Mexico's leading politicians, known as El Bronco, the Governor of the State of Nuevo Leon claims he can beat the country's infamous cartels. For Our World Yalda Hakim has been to spend time with him.

A Danish writer travels to Mexico with the purpose of locating a mysterious Apache tribe that fervently seeks to remain in obscurity.

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

This short film focuses on the mysterious and legendary Seri Indians who live in a utopian colony off the west coast of Mexico.