Celluloid Bloodbath

Charlie and his best friend Jimmy are making a film and dream of becoming big-time Hollywood directors. When Charlie’s father finds an old ventriloquist’s doll named Felix among his late mother’s belongings, Charlie and Jimmy cast the doll as the creepy antagonist. Through a chain of increasingly sinister and disturbing events the family discovers that Felix has a mind of his own and it’s up to Charlie and Jimmy to rid their family of an ominous force.

A movie preview session for just nine spectators takes place in a large city hall. The movie starts playing and everyone gets ready to enjoy the entertainment, but the screen goes dark. After an initial confusion, an image appears of a girl being coldly tortured by a man dressed as Bate Bola, the carnival clown. The spectators are confused and worried. Then they discover that they are trapped inside the movie theater. From then on, they are tortured and killed. Will there be a survivor?

After moving to a small town, Zach Cooper finds a silver lining when he meets next door neighbor Hannah, the daughter of bestselling Goosebumps series author R.L. Stine. When Zach unintentionally unleashes real monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach and Hannah to get all of them back in the books where they belong.

In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.

Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going Dark profiles two theater projectionists during their final days on the job.

Two projectionists discover a disturbing film featuring the lynching of a woman. Not only are they troubled by the content of the movie, but strange events befall them following the viewing.

Architect Walter Craig, seeking the possibility of some work at a country farmhouse, soon finds himself once again stuck in his recurring nightmare. Dreading the end of the dream that he knows is coming, he must first listen to all the assembled guests' own bizarre tales.

A series of thirty-two trailers put together to illustrate the film industry's attitude to and packaging of African-American screen imagery.

At a seedy theater in a sleepy suburban town, a group of friends get together for a midnight screening of an early 1970s horror film, unaware that the director has something more in store for them.

Following her breakout role in a killer clown horror flick, Bowie now finds herself struggling to capitalize on its success, but when she is suddenly held hostage by an unhinged fan posing as that same killer clown, horror becomes her reality as she fights to survive the night and escape before he completes his sinister plan to recreate the film's fatal plot.

Jamie returns to his hometown in search of answers to his wife's murder, which occurred after receiving a weird package containing a ventriloquist dummy named Billy, which may be linked to the legend of ventriloquist Mary Shaw. Destined to find out the truth, Jamie goes to the town of Raven's Fair, where Shaw used to perform and is buried. But Jamie is in for more than he expected.