Splatterfest Exhumed

“It Came from the Tap” is a 4-minute film made with a group of friends for a local 48-hour horror film competition called “Lost Weekend”. For this challenge we were given three rules: we had to include a mask as a prop, the following line of dialogue: “Is this politically correct?”, and lastly, we had to pull a horror sub-genre out of a hat to allow for a different sub-genre for every team. We pulled “Creature-Feature”. The film was eventually screened in one of our local cinema’s.

A Hamlet-inspired tale of two sisters running their late mother's business. When one sister has a run-in with her (presumed to be dead) mother, chaos ensues.

Movie that tries to answer the century old question - why do we love movies?

Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".

"Public Domain" is a short film we shot in honor of those who support us with daily entertainment throughout this apocalypse. It's a love letter to cinema and a call to arms. Don't let the medium die.

Charlie Chaplin, The Tramp. In this documentary, we will take a look at the life of actor and director Charlie Chaplin, and talk about his films and hidden symbolisms.

Take a virtual stroll down the streets of Glasgow’s iconic Great Western Road.

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).