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Alex Dimitriades is "Ari" - a young Greek man whose family emigrated to live in Melbourne, where he is struggling to get job. To kill time, he hangs around with his mates snorting cocaine and - on the quiet - meeting men for casual sex. It's not really a "gay" film; it is a much broader analysis of a young man with neither the roots of his country, nor of a relationship to help him through his rather meaningless existence. His community is trying to straddle their need to honour their homeland traditions whilst adapting to the "tolerances" of their new home - brought to a head by some fairly grisly homophobic behaviour all round in the last twenty minutes or so. Demitriades is fine, as is Paul Capsis as his openly gay/transvestite cousin "Johnny" but the rest of the cast seem there to reinforce the stereotypes and therefore add little to any meaningful dialogue. To be honest, it could be a depiction of any immigrant culture in any country - and falls a bit flat as "Ari" seems ultimately rather deserving of his shallow existence...
On her wedding day, all that stands between a young woman and marital bliss with her soon-to-be husband is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.
The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.
Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.
Beautiful, funny, passionate, and calculating, Becky is the orphaned daughter of a starving English artist and a French chorus girl. She yearns for a more glamorous life than her birthright promises and resolves to conquer English society by any means possible. A mere ascension into the heights of society is simply not enough. So Becky finds a patron in the powerful Marquess of Steyne whose whims enable Becky to realise her dreams. But is the ultimate cost too high for her?
Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.
It all began on a couch. He watched her undress and they made love for the first time.
Alex is very close to his elderly grandmother partly because his busy parents seem to have little or no time for him. One day he surprises two boys from his school leaving her house and is shocked to find her tied up inside – they have robbed her! Alex is sworn to secrecy as his gran is worried that her daughter will think her incompetent. This secret leads Alex into trouble as the two boys accost him in the street and bully him into becoming a pickpocket ("tasjesdief") for them, mugging old ladies. Alex learns how to deal with this situation in the end.
David, a naive graduate student, has volunteered to work as a 'buddy' for people dying of AIDS. Assigned to the intensely political Robert, a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.
This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.
In the sequel to Saltimbancii (1981), Fram the polar bear and the performing Marcellonis weather plotting competetors, bumbling kidnappers and family tragedy in this entertaining family film.
