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Maybe you're getting soft, Whitey. Maybe you're turning into a human being. Ride Clear of Diablo is directed by Jesse Hibbs and adapted to screenplay by George Zuckerman from a story by Ellis Marcus. It stars Audie Murphy, Dan Duryea, Susan Cabot, Abbe Lane and Russell Johnson. Irving Glassberg is the cinematographer with location filming in Technicolor at Lone Pine and Victorville in California. Plot sees Murphy as Clay O'Mara, a railroad surveyor forced to return to his home town after rustlers kill his father and brother. Getting the sheriff to make him a tin star wearing deputy, Murphy sets about finding out who was responsible for the murders. His first port of call is a meeting with notorious gunslinger Whitey Kincaid (Duryea)... Lively and utterly enjoyable "B" Western in the cannon of Audie Murphy. Standard revenge formula of plotting is elevated to better heights by the central relationship between Murphy's honest do gooder and Duryea's rough and tumble bad dude. Director Hibbs smoothly directs and the story has one or two surprises to off set the expected lack of credibility in the story. Glassberg's photography is beautiful and there's good support to the leads from Jack Elam and Denver Pyle. The girls look sexy and are costumed in style, while the action sequences, notably a horse pursuit featuring a gorgeous white stallion, are good value for money. Everything, though, is in Duryea's shadow, stealing the movie, Duryea is having a great time as the cackling villain forming an uneasy friendship with Murphy. It's this coupling, and the turn of events in the finale, that most will fondly remember the film for. Real solid stuff. 7/10
Fanning has his men rustle horses and then blame it on a wild horse named Wildfire. Happy and Alkali arrive and immediately get into trouble with Fanning and his men. When Alkali is shot, Happy catches the outlaws but the Judge not only releases them, he discharges the Sheriff and tries to arrest Happy for rustling. Happy escapes and he and the Sheriff then set out to prove who the real rustlers are.
Substituting for Allan Lane, who'd been called away to active military service, Bill Elliot stars in the Republic "Red Ryder" western Marshal of Laredo. This time, Red comes to the aid of a frontier lawyer, who is suspected of being an outlaw
Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.
Bob Allen in his starring debut gets a job on Wright's ranch where he hopes to find the rustlers no one else has been able to locate. Everyone is looking for men when the actual rustler is a horse.
A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.
A ranch owner turns his place into a home for boys who have lost their fathers in World War II. His evil female lawyer covets the ranch and uses a gang of local toughs, a pack of killer dogs, and a phoney rancher's beneficiary to get it. U.S. Marshal Rogers opens an investigation when the rancher is killed.
Red Ryder returns to Sioux City, Wyoming, at the close of the Spanish-American War, settling down at the ranch of his aunt, The Duchess, with his pals Little Beaver and "Blizzard". But Red soon discovers that the country is over-run by rustlers.
Ranger Bill Kennedy rescues Mildred from the clutches of wicked rancher 'Black' Muller.
Scully has forced Joe Collins who works on the Garcia ranch to give him information so his men can steal the family jewels. But the Rough Riders are on the job. Buck poses as a wanted outlaw to get into the gang, Tim as a cattle buyer, and Sandy is collecting information as the saloon janitor. As usual they pretend not to know each other. Written by Maurice Van Auken
Johnny Mack Brown stars in the formula oater Shadows on the Range. The film was made at a time when Monogram was experimenting with the notion of passing Brown off as a singing cowboy. While his voice is dubbed, he's definitely handling all the action sequences himself, and that's what the fans really wanted.
Bill Tracy is a Cattleman's Protective Association agent. Working undercover on his way to Sonora, a town dominated by rustlers, saves Betty Carter from a situation, but her rancher father, believing Blackie's suggestion that Bill is a rustler, forbids her to see him. Bill and his pal Heinie Schmaltz rescue each other from rustlers' various plots and ambushes and eventually discover that Blackie, Carter's foreman, is the leader of the rustlers.