Cosmic Voyage

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.

Not only did Mary Tyler Moore “turn the world on with her smile,” as her show’s theme song declared, she also influenced a generation of women to become more independent and to pursue successful and fulfilling careers. Moore’s own 50-plus-year career has spanned award-winning films and Broadway shows, as well as two beloved television series that broke ground and continue to entertain viewers. ​ This one-hour special includes highlights from a recent interview with Mary Tyler Moore, tributes from her co-stars and clips from iconic moments throughout her career. The program looks at her breakthrough role on The Dick Van Dyke Show, her iconic turn as TV's first independent career woman on The Mary Tyler Moore Show and her Academy Award-nominated work on Ordinary People.

Everyone has heard about bee declines, but with so much attention focused on domesticated honeybees, someone has to speak up for the 4,000 species of native bees in North America. Natural history photographer Clay Bolt is on a multi-year quest to tell the stories of our native bees, and one elusive species – the Rusty-patched Bumble Bee – has become his white whale. Traveling from state to state in search of the Rusty-patched, he meets the scientists and conservationists working tirelessly to preserve it. Clay’s journey finally brings him to Wisconsin, where he comes face to face with his quarry and discovers an answer to the question that has been nagging him: why save a species?

A story about friendship, independence and the making of a record. Silversun Pickups deconstruct the making of their latest record “Better Nature” while starting their own record label.

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

For all important things in our lives, there is a collection of things that come together that give them significance. For our favourite meals, it is a collection of ingredients coming together to form a taste that gives us comfort. For our homes, it is a collection of memorabilia, items, trinkets, and decorations that come together in a way that is representative of who we are. Our families are a group of several individuals who play different roles in our lives and come together to form our support system. For the Queer community, friends collectively join to form a support system that plays an essential role in their happiness and survival in a homophobic world. The human experience is collaborative and a collection of things that shape our lives. This documentary shows how the people in Alex’s life come together to keep them afloat.

Newly discovered interviews with Elizabeth Taylor and unprecedented access to the star’s personal archive reveal the complex inner life and vulnerability of the groundbreaking icon.