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From II to III they changed the emphasis away from Rocky's family and friends and the characters and moved it into straight boxing, but it was still inspirational, it was still fun. Here I don't know what they did. It was like they changed the focus back on the characters but somehow butchered it in the process. The result was just horrible. It wasn't the lack of Rocky fighting or the fact that Tommy Gun was kind of an evil traitorous friend that used him and then walked away... it was how they handled it. It could have been the start of a good story of Rocky as a trainer, but it ended up just being awful. The dramatic family dynamic was shot and it turned into a mess with a convoluted story that hinted at being decent, but always missed the boat. It should have been the more personal story, but it stopped being personal the moment Tommy Gun walked on screen and it turned into a mess that didn't seem to know which way it should go. However... the same basic concept was used with Creed, and this time (despite it's FORGIVABLE faults in the script, it was done right). Partially due to the fact that Jordan is a far better actor than Morrison, but mostly due to the fact that it kept what it promised to deliver and the story was more coherent from start to finish.
At the heart of Rocky V, there is a really intimate story about living in the past and being blinded to your present, but unfortunately that gets muddled with its somewhat convoluted screenplay. The decision to take away Rocky’s wealth with a cheap plot device is one that was not needed. Rocky has already hit rock bottom in his life, and ripping away all of his accomplishments makes his story feel like it’s going backwards. The entire plot could have been just as effective if he was still at the top of the world. I think the decision to focus on Rocky’s age and sudden loss of relevance is what really intrigued me with this installment. Rocky is no longer in fighting shape, and the one thing that made him Rocky was this fighting background. He gradually loses control of himself, not only as a professional but also as a man. This causes him to lose sight of everything in his life by focusing on gaining that fighting relevance back. This creates some really emotional conflicts with his son that feel impactful. This film was on its way to getting 3.5 stars from me until the final twenty minutes of the film. It takes a somewhat grounded story, very reminiscent of the original, and turns it into a cheap gang action flick with a bar brawl. This felt incredibly out of place, and I think a more satisfying ending would have been Rocky leaving the fighting all behind without this physical conflict. John Avildsen’s direction is back, with this film being the most reminiscent of the original. The acting is good all around, with standouts being Sylvester Stallone, Talia Shire, and, surprisingly, Sage Stallone, who was excellently cast across from his real-life father. Tommy Morrison was decent, but Richard Gant was just awful. He had such a campy presence in the film that was really out of place. I hated every time he was on the screen. Overall, I enjoyed this installment more than most due to its more serious tone and interesting look at a post-boxing Rocky Balboa, but it definitely could have been much better with a tighter script. Score: 60% Verdict: Decent
Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a dance studio, and everyone prepares for the World Open Dance championship in Las Vegas. It soon becomes clear Rafael is a very good dancer, and Ruby is the biggest hope for the studio at the championship.
Set in the 16th century, this is a story about Ukraine's Cossack warriors and their campaign to defend their lands from the advancing Polish armies.
When 12-year-old Ton transfers to an all-boys boarding school, he's taunted by his peers and terrified by their tales about the ghosts that inhabit the school. Ton is utterly miserable until he befriends a mysterious fellow pupil.
Bobby Griffith was his mother's favorite son, the perfect all-American boy growing up under deeply religious influences in Walnut Creek, California. Bobby was also gay. Struggling with a conflict no one knew of, much less understood, Bobby finally came out to his family.
Taking over Leeds United, Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor.
Simon Henderson is at boarding school in Canada while his father works in Hong Kong, and his mother lives in England. When his parents visit him in the holidays, Simon discovers that his mother has schizophrenia.
An unexpected guest, severed family ties, friendships on the verge of ending. Before they completely drift apart; Ali, Büşra, Efe, and Güray find themselves in a spiral of loneliness at the collapse point of their personal lives.
A man trying to put his life back on track gets some advice from an unexpected benefactor - the ex-footballer Eric Cantona.
A losing coach with an underdog football team faces their giants of fear and failure on and off the field to surprising results.
One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons.
Set in the maligned western suburbs of Sydney, Lebanese-Australian John gets out of gaol to discover his younger brother Charlie is caught up with drugs, hookers and crime. Charlie oscillates between the streets and school. Daily clashes between Scott and Charlie's gang escalate. This feud spills into the streets in a territory and identity battle that turns bloody.