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The Other Side of Burka is a 2004 Iranian documentary directed by Mehrdad Oskouei. In the southern island of Qeshm, Iran, which is a very strict region in point of tradition and African-Arabic rules, all women are under the pressure of patriarch society. Their sufferance is manifested by different mental (Zar, Possession) and physical diseases which must be only treated by Zar Ceremony. For the first time, despite the danger these women face, this film tells us the sad story of their life and shows their confection in front of the camera. It tries to be an honest mirror which reflects their sufferance and unveils their Burka to reveal their real characters.
After a long journey to Formosa, one of the first german colonies in the south of Brazil, Aron re-encounters his grandfather Harry Matschulat to shoot an interview about his life. But, his health wouldn't allow it. Because of this hindrance "Ewigkeit" is born: an imagetic documentary which reflects upon time, life, death and eternity.
All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person who is frustrated with the function and structure of the world. The film sets a surreal portrayal of the person's mind as he talks to himself about his personal critique on humanity, individualism, and the idea of free will. The cinematic elements within the film guide the protagonist through his quest as he strives to retain his deepest thoughts from the outside world.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
The Mutability of All Things and the Possibility of Changing Some explores our human adaptability in light of catastrophe by way of seminal literature passages implying a transitory social body.
A quirky deep dive into the mind of a confused young man struggling to balance personal ambitions and family responsibilities.
The Tenant continuously fails to escape his deadly apartment under five minute time limit as his blood-thirsty neighbor threatens to break in and exterminate him.
The late Fujio Akatsuka is revered by many Japanese artists and scholars for his developments to early comedy manga, but his contributions aren't just limited to the world of print media. Featuring commentary from family, friends, colleagues, and celebrity fans, Fujio Akatsuka's story is told with archival footage and animation, showcasing the life of the man who went beyond manga.
The Dadaist, an eccentric creature who embodies the concept of the 20th century European avant-garde art movement Dadaism, destroys and mocks art pieces such as Leonardo Da Vinci’s Mona Lisa, whilst expressing his impulsive fury at logic and reason.