Bottom Twinks

A re-editing of the 11 television episodes of popular anime Higashi no Eden into a feature-length film.

A video store clerk showcases clips from Z-grade horror movies to curious customers.

A look behind the scenes of the Czech gay porn boom.

For the past 40 years, Jan Svankmajer (Faust, Conspirators of Pleasure) has been hailed as one of cinema's most consistently surprising, wildly imaginative, and remarkable surrealists of our time. Utilizing a delirious combination of puppets, humans, stop-motion animation, and live action, Svankmajer's films conjure up a dreamlike universe that is at once dark, macabre, witty, and perversely visceral. KimStim (and Kino) is proud to to offer this collection of remarkable short works from an artist that has mesmerized audiences the world over and has inspired filmmakers from the Brothers Quay to Tim Burton and Terry Gilliam.

Since acquiring Dark Energon - the very lifeblood of the mythical being Unicron - the Decepticon leader Megatron has worked tirelessly to uncover its secrets in an effort to finally wield its great power. With the strength to absolutely corrupt any amount of Energon, even bringing zombie-like life back to the dead, Dark Energon is the ultimate weapon against the Autobots. Now it's up to the heroic leader of the Autobots, Optimus Prime, to stop his old nemesis once and for all, no matter the cost. But does the Autobots' true key to salvation lie in the trusted hands of a teenaged boy named Jack?

Selections include Kelley's Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.

A snapshot of the state of animated filmmaking 100 years ago. Includes several 1922 films: Walt Disney's "The Four Musicians of Bremen," Dave Fleischer's "Birthday," Otto Messmer's "Felix Makes Good," Paul Terry's "The Farmer and His Cat," Earl Hund's "Fresh Fish," Dave Fleischer's "Mechanical Doll," Otto Messmer's "Felix Fifty-Fifty," and Paul Terry's "Henry's Busted Romance".

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.

A full-length movie recap of the Maison Ikkoku series that focuses on the relationship between Godai and Kyoko. The entire special is taken from footage of the TV series.