칼: 고두막한의 검

Seol Hie loses her parents and eyes to the murderous brutality of General Woo Shin-tak. She trains herself in swordsmanship and martial arts for the next two decades before setting out to even the score with Woo.

Kingdom of Goguryeo, ancient Korea, 645. The ruthless Emperor Taizong of Tang invades the country and leads his armies towards the capital, achieving one victory after another, but on his way is the stronghold of Ansi, protected by General Yang Man-chu, who will do everything possible to stop the invasion, even if his troops are outnumbered by thousands of enemies.

This story unfolds 8 years after 'Battle of Hwangsanbeol', which destroyed Baekjae, when Silla-Tang Dynasty union attacks Goguryeo.

Set in the 7th century AD during the Korean peninsula's division into three perpetually warring kingdoms, Once Upon A Time In A Battlefield focuses on the Shilla's king Kim Choon-chu efforts to conquer his rivals: Koguryo and Baekche. To achieve this goal, he allies with mainland China's Tang empire, the superpower of the era, and together the two polities plan to attack first the weakest Baekche at its main fortress of Hwangsanbul, guarding the only easy access to the mountainous interior. But the fortress commander General Kye Baek (Park Joong-hoon) will be resisting to the end...This comedy relays on clash between ancient time and modern language combined with irony and distance to the war.

A wonderful time travel exploring. The Kingdom of Goguryeo. Oh! Goguryeo!, Oh! Balhae! A travel to find the warmth of ancient history with Do-Ohl Kim-Yong-Ok, A representative philosopher of our modern age! We couldn't help but crying when we saw the towering Heul-Seung-Gohl-Seong, the first seat of government of Ju-Mong, through out the celadon-colored sunrise... From the top of the Mt. Baek-Du to Manchuria, The Scent of Goguryeo and Balhae that has been scattered all over the wild field wake our hearts up from a long, deep sleep!

Sujay, Ajay and Bijay are three siblings who share a close bond and can go to any length to protect each other. However, when Sujay is killed by his own boss, Bijay sets out to exact revenge.

In 2122 AD, when the world faces an imminent threat from a rogue nation, Indrani, a formidable superwoman working for the Indian Super Force (ISF), must travel back in time to find a decisive action to thwart this nefarious scheme.

Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...

In a Nazi concentration camp, German soldiers shamelessly abuse the inmates, mocking and brutalizing them. But the prisoners never give up on the violence they have suffered, convinced that they can rebel and take revenge.

A woman who, disguised as a beggar, turns out to be a formidable assassin, is charged by a warden to infiltrate a women's prison, to run the one that took his eye with a wooden spoon carved from a knife - a woman named Nami Matsushima, known within the walls under the nickname of Scorpion.

A story where the Cristero Rebellion creates a story of love, passion, and betrayal. When the Federal Rosas and his lover arrive in a town, a local woman feels strangely attracted to him. The woman will surrender under the pretext that the population is liberated when in reality she wants to consummate the passion that ignites her.