Imagen de Caracas

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Roger Corman & William Shatner are talking about the making of 'The Intruder'.

Surrounded by his children, his wife Ethel, and Sammy Davis, Jr., RFK visits schoolchildren around the city, and is every bit the good patriarch and dutiful public servant. But it’s the films’ fleeting, in-between, moments where Pennebaker most precisely hits the mark, offering reflection on the possibilities that Robert Kennedy’s all too brief life foreclosed. Set against the pageantry of a long ago Christmas, the film speaks to tragic contingencies of history lying far beyond the ken of politics that continue to circumscribe the tortured destiny of our country.