女神降臨 Before

During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.

Nina, mid 20’s, is a visual artist whose art depicts the feminine beauty of all women but struggles with self-identity as a multicultural millennial woman. While flipping through social media her frustration leads her to brood over old photos of complex stages in her life. She’s inspired to create a portrait that represents her personal voyage to self confidence and finally see her beautiful self.

The film centers on nerd Maxwell Dweeb (Robert Carradine), who is a loner with no friends. While watching television, he sees an advertisement for the Minnie Mouse Center for the Totally Unhip, named after its owner, Minnie Mouse. Dweeb, in an effort to improve himself, decides to attend. After being welcomed by the director (Suzanne Somers), Dweeb is taken on a tour of the centre, where other Disney characters run various courses: Goofy is a fitness instructor, Donald Duck is a wardrobe manager, and Pluto is a messenger boy. After finally meeting Minnie Mouse, Dweeb is taken on by the director, whom he eventually falls in love with, and dates once he has passed his training. The film is intershot with various musical numbers (including the duet "Don't Go Breaking My Heart" by Minnie Mouse and Elton John) and excerpts from early Disney shorts.

Although Jason works as a department store clerk, he is also a reincarnated prince. Long ago, his beloved Jessie was snatched away from him by an evil wizard who used his powers to transform her into wooden statue. Now Jessie is in Jason's department store as a mannequin. When he encounters her, she awakens from her thousand-year sleep. They quickly revive their romance, but the evil wizard has been reincarnated as well, and he's up to no good.

Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.

Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.

Cross-dressed as a man, the young scholar did not anticipate catching the eye of a beautiful courtesan, nor the bond that they form together. But will her long-standing deception create a rift between the two of them?

When actress Sarah Marshall dumps aspiring musician Peter Bretter for rock star Aldous Snow, Peter's world comes crashing down. His best friend Brian suggests that Peter should get away from everything and to fly off to Hawaii to escape all his problems. After arriving in Hawaii and meeting the beautiful receptionist Rachel Jansen, Peter is shocked to see not only Aldous in Hawaii, but also Sarah.

After taking his dying father's advice, Hal dates only the embodiments of female physical perfection. But that all changes after Hal has an unexpected run-in with self-help guru Tony Robbins. Intrigued by Hal's shallowness, Robbins hypnotizes him into seeing the beauty that exists even in the least physically appealing women. Hal soon falls for Rosemary, but he doesn't realize that his gorgeous girlfriend is actually a 300-pound-not-so-hottie.

High School grad and all American gal, Anna, finds her purpose and herself after she hooks up with the radical feminists in The Itty Bitty Titty Committee.