30歳まで童貞だと魔法使いになれるらしい 特別編集版

During the 1950s, musical masterpieces that have yet to be equaled were produced in Cinemascope with stereophonic sound. These two episodes explore how the post-war years were alive with bold experimentation in musical film. Later in the decade, Rock & Roll became the musical choice of the younger generation and movie musicals followed suit. Highlights of this 2-part program include: Films based on smash Broadway musicals become the rage. A pretty starlet with no musical training named Marilyn Monroe takes the country by storm in "Gentlemen Prefer Blondes." With favorites from the previous decade continue to delight audiences: Rock & Roll films, songs and musical numbers.

Documentary looking at the history of Hollywood musicals in the 1960s. This decade saw independent film companies becoming more prominent as the bigger Hollywood studios, who produced the mainstream musicals, experienced a decline. This brought the emergence of more realistic story lines and the use of contemporary music like rock 'n' roll. This programme features songs from the musicals 'West Side Story' (1961), 'The Music Man' (1962), 'Mary Poppins' (1964), 'The Umbrellas of Cherbourg' (1964), 'Funny Girl' (1968), 'Oliver!' (1968) and 'Sweet Charity' (1969).

In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.

EIT! has unearthed thousands of forgotten DVD & VHS tapes aimed at yesterday’s youth to bring you their most mind-melting movie to date. Watch in awe as all colors of the rainbow join forces to destroy the tyranny of adult civilization once and for all! All of your oldest friends will be there; skateboarding web-surfers, rapping math equations, gigantic baby ducks, and maybe even a wizard or two!

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

The Straw Hat Pirates are on a quest to save the desert kingdom of Alabasta. A civil war brews among the sands, one started and stirred by the hand of none other than Crocodile and his corrupted Baroque Works gang. The stakes run ever higher as Princess Vivi's homeland threatens to tear itself apart. More than lives are on the line.

The Very Hungry Caterpillar and Other Stories is a compilation of five of Eric Carle’s most popular stories. In The Very Hungry Caterpillar, a tiny caterpillar eats and eats... and eats his way through the week; Papa, Please Get The Moon For Me shows a young girl asking her father for the moon, but he discovers that the moon is very, very big. The Very Quiet Cricket is about a cricket who finally finds his voice and The Mixed-Up Chameleon learns an important lesson about being himself. Finally, I See A Song invites audiences on a magical musical journey. But can you really see a song?

When a powerful new Internet Digimon hatches and begins to consume data at an alarming rate, the Digidestined - kids chosen to save the digital world - must put an end to the destruction before the damage becomes irreversible and worldwide communication halts forever. As computer-based missiles are launched, and a wayward Digimon kidnaps the Digidestined, only the combined efforts of a worldwide network of kids and a new group of "Digidestined" can rescue the others and stop global disaster.

Revisit events from Bocchi joining Kessoku Band to their first successful gig.

Originally a collection of clips from the Neon Genesis Evangelion TV series, Death was created as a precursor to the re-worked ending of the series. Rebirth was intended as that re-worked ending, but after production overruns Rebirth became only the first half of the first part of The End of Evangelion, with some minor differences.

The first video compilation of four episodes of Kim Possible.