Le défi fou de GUÉDELON, construire un CHÂTEAU en AUTONOMIE TOTALE sans PÉTROLE comme au MOYEN ÂGE

A look at Britain's beloved canal network via a fact-filled cruise along the first superhighways of the Industrial Revolution. In the age before mechanisation, a frenzy of canal-building saw a new army of workers carve out the British landscape, digging out hundreds of miles of waterways using picks, shovels and muscle.

In 1967, in the middle of the Cold War, Joseph Stalin's only daughter goes to the American embassy in New Delhi and asks for asylum. Svetlana leaves behind her country and her two children. Hunted by the press, the KGB, and many admirers, the woman, nicknamed the Kremlin princess, will never cease to flee. From the summit of the Soviet empire to the solitude and poverty of her last years in a Wisconsin home, Gabriel Tejedor traces the destiny of a resolutely free woman, at the very heart of the century and its geopolitical challenges.

This short film from 1946 presents an outline of the fur trade's history and the commercial use of fur in Canada. A thirst for fur by the kings and courts of the Old World positioned the fur trade as part of the country's industrial economy. Fur farming and conservation became increasingly important, although the lonely life of the trapper remained the same. This film offers a view of both.

For nine months in 1930, seven Bretons, lobster fishermen, were "forgotten" on a volcanic island by their employers, Normans from Le Havre, heirs of the last French whalers. Four employees would die on the spot. Their descendants today revive the memory of this human tragedy which also struck 42 Madagascans. Starting from a sordid social conflict, the documentary shows that the “Forgotten Saint Paul” mark the end of an era of “colonization”, a term rarely used for the French Southern Territories, but nevertheless close to reality. This is the story of the Third World, as its discoverer, Yves de Kerguelen, named it.

Bandera, Texas (THE COWBOY CAPITAL OF THE WORLD) is a captivating documentary that explores the vibrant history, unique culture, and enduring values of the small town of Bandera, Texas.

The mysterious island of Crete has always loomed large in imagination, as the home of the Minotaur - that monstrous creature, half-man half-bull - imprisoned in Daedalus' labyrinth. Before Crete collapsed in fire and violence, it gave birth to Europe's first civilization nearly 5,000 years ago, and boasted an advanced, prosperous Mediterranean civilization with hinged doors, flush toilets, and magnificent palaces. How did the Minoans live, and what brought this great society to such a sudden, obscure end? Modern archeology offers new insights into the everyday life in Minoan culture, and tantalizing clues about its tragic destiny.

A group of residents from Coria del Rio uncover a key figure in their town's history - a samurai on a quest for redemption.

The interview, held on January 4, 2001, was the last given by Professor Milton Santos, who died from cancer on June 24 of the same year. The geographer is gone, but his thoughts remains. Its political and cultural ideals inspire the debate on Brazilian society and the construction of a new world. His statement is a true testimony, a lesson that the world can be better. Based on geography, Milton Santos performs a reading of the contemporary world that reveals the different faces of the phenomenon of globalization. It is in the evidence of contradictions and paradoxes that constitute everyday life that Milton Santos sees the possibilities of building another reality. He innovates when, instead of standing against globalization, proposes and points out ways for another globalization.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Mariners Marsh, Bloomfield, Watchogue, Old Place. History, mythology, nature, anthropogenic industry, and digitally-demarcated landscape collide in the salt meadows and brownfield beaches of northwestern Staten Island. A human-haunted nature film. All stories are ghost stories. Narration drawn from the writings of Staten Island's preeminent historian, naturalist, and mythographer William T. Davis (1862 - 1945).

A history of the bridges of Paris, through modern views and historical engravings.