“湾区升明月”2024大湾区电影音乐晚会

Adventures await when new lovers are separated by a chainsaw killer.

Lenny Kravitz, Rock in Rio in Madrid on June 30, 2012

Singing Marseilles docker Joe is hired by wealthy English couple, the Oliphants, to find their missing son Gerald. When Joe finds him, he learns Gerald escaped of his own will and takes him to stay with a local singer, who offers a refuge from his repressed white parents.

Both the maid and the youngest daughter are after the same man who wants nothing to do with either of them.

Composed of four stories, each part of 10 minutes, namely: "Rainbow and Zebra", "The Goddess of Victory and the Snail", "The Ant and Love Letter", and "His Royal Highness and the Sheep".

Taking the baddest boys, the naughtiest girls, the craziest stunts and the wildest parties and shoving them in your face up close and personal. From the heaviest metal to the boldest spring breaks, the place to be is SeX, Y and Z.

First aired on TV on the BBC Two on 29 September 1989, this second episode of the documentary series "Under African Skies", a grand project aimed at presenting the rich diversity of contemporary African music of those days and known for its unforgettable memento "A celebration of the new sounds of a continent. " traverses the nostalgic roots and the euphoric contours of Ethiopian music of the '80s.

The Homecoming Friends share songs that serve as a compass for the journey. This video features a range of songs, everything from Randy Travis' "Feet On The Rock" to a saxophone medley with Boots Randolph to the Don Francisco classic, "He's Alive." Helping us deliver truth and hope into the trenches are Alicia Williamson, Russ Taff, Sarah DeLane and Ivan Parker. Also captured on this video, taped at the Indiana Roof Ballroom, are our beloved friends, Jake Hess, Hovie Lister and the Happy Goodmans.

An endearingly nostalgic exploration of the defiant Vietnamese new wave music scene, as well as a vulnerable and personal look at the filmmaker and her community’s revisiting of their unexamined past.

Anna is living the dream. Having rocketed from obscurity to internet stardom as electro-rap iconoclast 'Uffie' following the release of her breakout hit 'Pop the Glock', she is ready to take her place as socialite royalty, adored by indie boys and girls everywhere. Yet such a meteoric rise can never be without its associated pressures. Trapped between drug-fuelled hedonism, music industry bureaucracy and Myspace mania, Anna starts to wonder whether 'Uffie' is a character she can continue to play.