Gai(e), tu ne seras point

A look back at "La Cage aux Folles", which ran non-stop for five years, from February 1973, on the stage of the Théâtre du Palais Royal in Paris. At a time when homosexuality was considered a crime by the law, Poiret and Serrault achieved great success in boulevard theater. Their success continued on the silver screen, with three Oscar nominations and a Broadway musical. Combining never-before-seen archives from the play, extracts from the film, confessions by Poiret and Serrault, and interviews with witnesses, this is the story of a wild epic.

An examination of the intimate life of America's most consequential president, Abraham Lincoln. As told by preeminent Lincoln scholars and never before seen photographs and letters, Lincoln's romantic relationships with men is detailed. The lens is widened into the history of human sexual fluidity and focuses on the profound differences between sexual mores of the 19th century and those we hold today.

Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.

Documentary by the music label Defected and its brand Glitterbox about electronic music, its beginning in New York and its importance for minorities all around the world.

Jon Sistiaga takes an immersive trip to Poland, a country divided into two zones: on the one hand, the urban and pro-European, and on the other, the rural and ultra-Catholic, still anchored in the traumas of the war and the post-war period. Is Poland a homophobic country or does it have a homophobic government? How does the European Union allow this situation?

Based on their book, “Why Knock Rock?”, and their church lectures, Dan and Steve Peters examines how rock music's obsession with sex, drugs and suicide is dangerous to young people. Since the dawn of Rock and Roll, there has been ministers howling about its evil affects. Ministers would tour the country's churches and college campuses with sermons and slide shows illustrating the Devil's influence on the rock music. In this film we certainly see that rock stars aren't the best role models for kids and teens, but the Peters brothers often miss the musician's point – especially with some of the lyrics. Dan and Steve do however seem to take a delight in presenting some of the 1980s more perverse album covers to young people.

For the past year or so, brothers Jim and Steve Peters, both ordained ministers, have been traveling around the nation on a mission from God. Convinced that rock and roll is "one of the largest satanic forces in the country," they have been exhorting American kids to build bonfires of albums in public places.

Through letters, diaries and personal testimonies, an account of the complexity and variety of experiences of LGBT Italians during the Fascist dictatorship of Benito Mussolini (1922-43); intimate words that contrast with the lyrics of popular songs and the propaganda of the time, obsessed with extolling the myths of virility, femininity and motherhood and constrained by sexual repression.

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

It is normal for 15-year-old Linn to have two mothers. But when she finds out that there are still numerous siblings, she realizes that she is part of an extraordinary extended family. Her father Eike not only had an appointment with Linn's mothers to donate sperm, Petra and Anny also have three children with him. A film crew followed this rainbow family for twelve years.