Water Ballet

An approaching loss threatens the of a middle-class family, whose dark secrets gradually come to light and begin to gnaw away at the family members - literally.

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

In a society where creativity is suppressed, a grieving ex-singer uncovers a comic hero’s hidden truth, sparking a musical journey of defiance and self-discovery against a repressive regime.

July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)

A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.

An elderly businessman (Frank Morgan) plans what he thinks is an innocent night on the town while his wife is away. Instead, he finds himself involved in a showgirl's murder.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.

Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.

A film about using nature as a way to deal, cope and escape depression, a sense of melancholy and loss clouds over the film.

Procedurally-generated frames slowly expand in density to visually explore the mind of a psychopathic, narcissistic teenager, up until the demise of the subject.