Cores

Wallace and Gromit open a bakery, accidentally getting tied up with a murder mystery in the process. But when Wallace falls in love, Gromit is left to solve the case by himself.

An escort confronts a blackmailer looking to take down the organization she works for.

A group of young skateboarders find direction in their lives when they move to New York and start a pickle business.

A pizza delivery boy finds himself in the middle of a clash between a gangster boss and a legendary assassin who the boy has unknowingly delivered instead of pizza.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A boy from the desert tries to sell a sand rose in the big city.

Short documentary by Peter Fleischmann

A world without light, a world dominated by darkness and threatening silence. The deep sea. Driven by their instincts, we pursue two contradictory characters and witness a struggle for life and death. We become victims of the illusion of light.

The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.

A man with social anxiety gets followed by a naive and clumsy creature. Terrified the man tries to escape, unaware that the creature is actually a helper with slightly unconventional methods.

Snooze buttons, sunlight…the inescapable cacophony of alarm alerts: waking up in the morning is a battle between the present and the future state of mind. A dream-like war with yourself and other objects that seem to take a life of its own.