Dihei

A group of coworkers buy a piano at a yard sale for a friend in need.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Based on the true story of Joseph and Rebecca Bau whose wedding took place in the Plaszow concentration camp during WW2. Using his artistic skills in the camps, Joseph stays alive and helps hundreds to escape. Miraculously, he finds love in the midst of despair. Years later, when called to be a key witness in the trial of the brutal Nazi officer who tortured him and killed his father, Joseph is thrust back into vivid memories of the Holocaust. Now, he calls upon this love and resilience of spirit to face the ultimate demon of his past.

Wanda wants to take care of everyone in her life. She barely has time for herself, not that she would know what to do with it anyway.

Gumdrop is a short film noir/horror that delves into the psyche of Sampson, a secretive weapon dealer for a crime syndicate. Haunted by his past traumas, he struggles to maintain his sanity as he receives a rogue order that puts him in danger. Directed by JZ Murdock, with music by Andrea Fioravanti and Alex Dewell, this film has won 16 international awards, including Best Noir, Best Horror, and Outstanding Achievement in Transgressive Cinema and Culture (TCCC) - a category that honors films that defy the mainstream and challenge the status quo like: Eraserhead, Pink Flamingos, El Topo, and The Rocky Horror Picture Show. For more on Sampson's story, read the true-crime short horror story, "Gumdrop City" (2012) by JZ Murdock.

16 year old Matt is a little too nice for his own good, and when he discovers that his older, estranged brother Deco has turned into a vampire, he's faced with a dilemma: will he risk his own life to help his sibling, with blood being thicker than water; or will he stake him before he spreads the infection further?

Ava Moriarty, Art History PhD dropout-turned-dominatrix, wants OUT. But there's no safeword for golden handcuffs. When her mobster ex gives her 30 days to repay a massive loan, she's forced to agree to one last job-seducing and extorting "Father Dracula," a small town Episcopal priest. But Father Radovan Markovic brought his own secrets from Serbia, and moonlights as an MMA fighter while unwittingly hiding the world's greatest lost painting. Not to mention he's the one hot guy avoiding Ava like loose glitter. Certain he's embezzling a priceless art collection, will she win his heart only to destroy his life, or doom herself to a custom pair of concrete stilettos?

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

After the owner of a failing drive-in restaurant sells his establishment, two waitresses and a French chef try to turn it around.

Dr. Clayton Forrester figures he can rule the world if he deadens his subjects' brains by making them endure terrible movies. Exploiting his access to nearby satellite-dwellers Mike Nelson and his robot pals, Crow T. Robot and Tom Servo, Forrester makes them watch "This Island Earth", a cheesy 1950s spaceship film. But when Mike and friends make funny comments throughout the movie and others that follow, Forrester's plan looks increasingly flimsy.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?