Atlas Shrugged: Part II

An uncompromising, visionary architect struggles to maintain his integrity and individualism despite personal, professional and economic pressures to conform to popular standards.

A powerful railroad executive, Dagny Taggart, struggles to keep her business alive while society is crumbling around her. Based on the 1957 novel by Ayn Rand.

The short film deals with the character of Henry Dorn, who tries to write a script for a commercial movie after a major failure, the character will have to deal with his demons and his constant indecision in trying to find an approach that is pleasing to his eyes. Based on the tale "The Simplest Thing in the World" by Ayn Rand (available in The Romantic Manifesto)

In a post-apocalyptic America, the iron fist of the totalitarian government seeks to crush one mysterious man named John Galt, who has the power and influence to change everything...

The team elected a young worker Timur Gulyamov as a member of the Executive Committee. There were not very good reasons for this in the team — the guy inspired not so much trust as sympathy. However, he took the decision of his colleagues seriously and the assigned task helped him to rethink a lot and look at others in a new way...

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.

Film serial directed by Charles Brabin.

Unfinished and lost film directed by Rustam Khamdamov, shot in 1972-1974.

The Red Circle is a birthmark, on the hand of the heroine, noticeable only in times of stress and excitement, which forces her to steal, leading to no end of complications and intrigue. A lost film.

When Obi Okonkwo completes his studies in England and returns to Nigeria, he finds himself in a country marked by rapid industrialisation and deep political change. In a time of social upheaval, Obi represents modern Nigeria. Through his gaze, his own expectations, those of his environment and the woman he loves become visible. And the disappointment of these expectations. Obi experiences the spreading corruption, the dominance of the Europeans and the conflicts with the values of traditional societies. In flashbacks, his struggle is interwoven with that of his grandfather Okonkwo. The latter experiences the first foreign influences in his village of Umuofia, from the arrival of the Christian missionaries to British colonialism.