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When personal and creative differences threaten to destroy a musical supergroup during the recording of an album, studio guitar player McQueen is brought in to smooth out the tracks. Soon he is reconsidering the direction of his life as he dreams of the elusive brass ring.
Toxikarma, the critically renowned Aussie metalcore act, is currently in the studio recording their follow-up to their debut album. Creative and personal conflicts within the band are at an all-time high. Frontman and vocalist Nathaniel Upton is pushing for raw emotion, while lead guitarist Sawyer Clemons is set on achieving musical precision. But when Nathaniel's unique "creative process" for achieving authenticity takes a dangerous turn, the pot finally boils over...
Chul, Seop, and Deok-kyu are desperate for just one performance, but even being on a club stage is hard. Im-jae, the freewheeling leader of the band always disappears. Deok-kyu who makes a living with rap wants to play only the blues, but people no longer listen to it. Near the end of the year, they go for a live club audition yearning for a chance. While enjoying their different performances, we meet the diverse realities those musicians face.
An eight-year-old girl tries to build a relationship with her absent father through a class-assigned family tree.
A girl wanders around Tokyo. Hesitant, she thinks about confessing her feelings towards her crush.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
Amos, delving into his past, embarks on a journey to relive the conversations he shared with his late friend Vogel. In these nostalgic reunions, Amos immerses himself in memories that hold the unique essence of their relationship. As the memories unfold, an intriguing mystery is unveiled: the encrypted question Vogel sought to answer, "How long do clouds live?".
As his parent’s marriage disintegrates, Patrick is dragged along to a Saturday morning garage sale by his father, Wayne. The hidden conflict between his parents can’t be avoided when a concerned neighbour enquires after Patrick’s mum, causing tension between father and son. Only then does Patrick seek refuge from his father’s manipulations.
Eli has an unusual relationship with music. When the music stops, that's when the voices begin.
At the peak of the Christmas holidays, an old double bass player reminisces about his time as a struggling jazz musician in Berlin.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
