Play of the Week: Rashomon

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.

Perception explores the breach of experience that divides us all by glancing into the lives of three individuals: Clarissa, a young idealistic photographer who chooses to live as a homeless person on the streets of New York, supporting herself meal by meal by selling her photography from a blanket in Central Park; Ralph, a successful real estate salesman who struggles for balance against the cut-throat nature of his business; and Tobias, a perpetual student who gets fired a lot. Perception journeys through the same season of time from each character's point of view, detailing how presumption and mistaken intention leads to great misunderstanding. A moment, revisited from another point of view, takes new dimension-and the line between protagonist and antagonist blurs.

An ambitious businessman knocks up his mistress with fraternal twins. He keeps the boy but sends his bodyguard to dispose of the mother and the girl. Years later…

Documentarians Andre Heller and Othmar Schmiderer turn their camera on 81-year-old Traudl Junge, who served as Adolf Hitler's secretary from 1942 to 1945, and allow her to speak about her experiences. Junge sheds light on life in the Third Reich and the days leading up to Hitler's death in the famed bunker, where Junge recorded Hitler's last will and testament. Her gripping account is nothing short of mesmerizing.

A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

Forced to run from Texas Rangers after a heated misunderstanding leads to the death of a lawman, Mexican American farmer Gregorio Cortez sets off in desperate flight, evading a massive manhunt on horseback for days.

Jean Monier is a disillusioned lawyer, appointed to defend Nicolas Milik, a man accused of murdering his wife. While everything points to his guilt, Monier takes up the case, convinced of his innocence.

While, dealing with the aftermath of infertility and loss, a married couple, decide to go their separate ways, but they quickly learn a higher power, will have the last word

A troubled detective helps his two-faced uncle out one last time