Desert Storm: The War Begins

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

One of the key works in creating the American social documentary film, this 1934 newsreel compilation crams a lot of information into just 11 minutes. Skillfully edited, the picture captures a panorama of international events centered on the labor movement. Scenes include Mussolini, Hitler and FDR preparing for war, Nazi soldiers persecuting German Jews, a political strike in Paris, the Scottsboro demonstration in Washington, DC, police violence against striking steelworkers in Pennsylvania and union members stopping scab workers from delivering milk during a dairy farmers strike in Wisconsin. Under the direction of pioneering documentarian Leo Hurwitz, the images are edited together to create a powerful image of a world that, in his view, desperately needed radical change.

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.

In war-torn Denmark, a brother and sister fight for survival as they embark on a perilous journey through the violent and dangerous landscape, where they must stay vigilant to avoid the hostile and vicious Danes.

Checkpoint Zoo documents a daring rescue led by a heroic team of zookeepers and volunteers, who risked their lives to save thousands of animals trapped in a zoo behind enemy lines in the Russian Invasion of Ukraine.

Michael Franti, winner of the San Francisco Foundation 2009 Community Leadership Awards (the Helen Crocker Russell Award) - artist, activist, founder of Spearhead, for embodying a social movement of justice and activism and being a voice for the vulnerable. By founding the music groups Spearhead and the Disposable Heroes of Hiphoprisy, as well as the Power to the Peaceful festival, Michael built an underground movement to spread a message of social justice and advocated for underrepresented people. His recent film, I Know I'm Not Alone, highlights the human cost of war and empowers people to utilize their vote and recognize their collective power to impact American foreign policy.

A squad of Marines on a hilltop in Vietnam calls for a Medevac after a sniper wounds one of them. Before the Medevac helicopter can come down for a landing, the Marines are attacked by a large force of Vietcong. After a brutal battle, resulting in more wounded Marines, they're able to repel the attack, but then the helicopter is hesitant to land.

"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.

In the first day of liberation, partisan Meke enters the palace where the king used to live.