I Can't Go On

An elderly man remembers the full life of love he has lived, with the help of a wish he made on a dandelion years before.

Mia has locked herself inside her recently deceased mother's rundown, crumbling house. Armed with a litany of books detailing ancient cultures and rituals, she tries desperately to reach out to the other side and speak to her mother. But when she succeeds, she gets more than she bargained for. Waiting alongside her mother is something monstrous, something that Mia recognises instantly. As she tries to survive the night and escape the ritual alive, Mia is forced to confront a variety of evils - ones from both without, and from within.

Newly employed in an emergency shelter for people experiencing homelessness, Geneviève is shaken to meet a young woman there whom she believed to have succeeded in reintegrating when she was her social worker.

Two strangers. Two personalities. One hand-made secret.

Barney has a dive mask and swim fins to help with his pursuit of fish. First, though, he needs to get the anchor set, despite an overly helpful little seal. The seal acts like an inept hunting dog, leading Barney to a cave with an angry lobster, then an unfortunate encounter with a shark.

When a mistrustful rogue, who earns a living by sending "obsolete" humanoid robots to the scrap heap, has a change of heart and decides it's time to call it quits, he stumbles upon a conspiracy that will reveal his life's darkest secret.

El and Jali, a twenty-something couple from Sydney’s Inner West, arrive at a house party. As El wanders through the house, she experiences a myriad of gender performances, and finds kinship in another girl, Fleur. The night changes route completely when they are confronted by a violent figure.

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.

With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.

Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.