Battersea

Cut From Cloth is a short family drama, set on the day of a funeral. After he passes away, three estranged siblings gather round their father's coffin to mourn his death and discuss their large inheritance. But when a knock sounds from within the casket, the siblings need to decide what is more important. - family or fortune?

The farmhouse of a rural family is declared unfit for habitation. While part of the family fights to save the space their ancestors built, the younger ones imagine where they could go.

As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.

The Lok's family disperses when Japanese occupied China. Mrs. Lok's company prospers in Hong Kong. Her son Tin-yam looks after her business. She misses her daughter. Another daughter Chui-yin dates Kuk-tat. Mrs. Lok hopes that Tin-yam will find a good partner. Wan Yuk-yin works in Mrs. Lok's company and meets Tin-yam. They fall in love. Mrs. Lok asks Yuk-yin to leave Tin-yam. Facing his mother's objection, Tin-yam falls ill. Mrs. Lok let them marry. The wedding guests despised the bride, which makes Mrs. Lok uncomfortable. The couple lives happily, but Mrs. Lok and Chui-yin make Yuk-yin embarrassed. Kuk-tat covets the Loks' fortune. He steals their jewels. Mrs. Lok thinks Yuk-yin did it. Yuk-yin is innocent, but she is expelled. Tin-yam returns. Yuk-yin's parents seek justice at the Loks. Mrs. Lok's saw the Yuk-yin's birthmark. She realizes Yuk-yin is her lost daughter. Mrs. Lok decides to be a dutiful mother. Tin-yam is an adopted son of the Loks so the couple lives happily.

Ceremony is a personal story about fathers and sons, and the overbearing silence which is passed down for generations. After the death of his grandfather, Oliver (21) and his father (50) bring the urn to a cemetery. Seeing his father in distress, Oliver takes the opportunity to acknowledge their distant relationship, attempting to connect.

Molly is a ten-year-old girl who believes that if she learns to play the fiddle like her dad and wins the All-Ireland Music championship, her father will wake from his coma. Still in a coma, her dad is moved to a rehab centre, where Molly befriends Malachy, a grumpy old man who plays the fiddle beautifully and is told he has magic in his hands. They connect as she coaxes him to teach her to play and together they go in search of the magic that only music can bring.

When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.

As a noted filmmaker’s infidelity becomes a media firestorm, his fractured family privately navigates the fallout of his actions for years to come.

A moving and memorable family drama about a terminally ill writer who wants to be reconciled with his long-abandoned son.

A sensational crime story is at the centre of three disconnected narratives: a self-destructive driver, a violent family of three, and the relationship between a quiet warehouse worker and her boss.

Sonia and Arturo live in a house that appears safe but is too large and silent. One night, three armed men violently break into the couple's property. Arturo manages to escape and capture the youngest and most inexperienced of the thieves, deciding to kidnap him and discipline him in the basement of the house. Gradually, the anger dissipates, and strange familial ties emerge that Arturo and Sonia believed were long gone. "Salvajes" is a violent portrayal of a divided society, in an unequal social fabric where the boundaries between victim and perpetrator become blurred.