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Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Sebastian 2024 - Movies (Oct 2nd)
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Hellboy The Crooked Man 2024 - Movies (Feb 25th)
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Monster Mash 2024 - Movies (Feb 23rd)
Reacher - (Feb 27th)
Life Below Zero - (Feb 27th)
Come Dine With Me- South Africa - (Feb 27th)
Green Eyed Killers - (Feb 27th)
Kirstie And Phils Love It Or List It - (Feb 27th)
Tyler Perrys Young Dylan - (Feb 27th)
Harley Quinn - (Feb 27th)
NCIS- Sydney - (Feb 27th)
After Midnight - (Feb 27th)
The 11th Hour with Stephanie Ruhle - (Feb 27th)
The Real Housewives of Sydney - (Feb 27th)
The Thundermans- Undercover - (Feb 27th)
The Family Business- New Orleans - (Feb 27th)
Summer House - (Feb 27th)
Bergerac - (Feb 27th)
Watch What Happens Live with Andy Cohen - (Feb 27th)
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Tribunal Justice - (Feb 27th)
Cóyotl- Hero and Beast - (Feb 27th)
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Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.
Enclosed by a civilised landscape, society reduces the problem of human survival to a minimum. The sidewalk, the fence, the clearing, demarcate a treaty between man and nature whereby neither one of us shall pass these thresholds lest we become subject to the law of the other.
Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.
An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.
moony and Joey Brodnax present WARNING HIGH CUBE - a film accompanying the release of moony’s debut album of the same name. After amassing an impressive collection of genre-spanning EPs scouring depths of emotion, pain, anger, relief, and hope, burgeoning Nashville-based indie alternative rocker Seth Findley (AKA moony) is at full form, ready to deliver his debut LP to the world. WARNING HIGH CUBE is a bold full-throttle whirlwind of a hero’s journey, serving as moony’s definitive allegory of his life so far, exploring swirling ideas of existentialism, nature, animals, spirituality, love, friendship, and the threads that hold humanity together. moony & Joey set out to create a unique audio/visual pairing for the album, unlike anything they’d seen or felt. The result is 50 uncanny, undefinable, and sometimes uncomfortable minutes. A new world ripe for the picking, WARNING HIGH CUBE and its accompanying film are here to save mankind.
The ideal comfortability of a kitten is taken away by a man impersonating as such. Refusing to stop until the owner gives full surrender.
The wanderer Rascal embarks on a psychotic and contradictory journey to break out of the ego bubble in which his self-loathing and isolation have inserted him in. After his metamorphosis, his soulmate, Paloma, makes him realize that life is as complicated as it is simple - and that all that's left to do is to live.
"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.