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Grim, relentless pursuit Western turns mystical in the last act A vengeful former Confederate colonel (Liam Neeson) leads a small group of hirelings in an unyielding hunt for the former Union officer who horribly wronged him three years earlier (Pierce Brosnan). The only problem is that the latter is an expert fighter and survivalist. This is a well done revenge Western with spectacular and varied remote Western locations (detailed below). If you thought Brosnan was a pretty boy as James Bond this movie will change your mind as he’s virtually unrecognizable as the skilled Rambo-like militarist. The tone is similar to contemporaneous Westerns like “The Missing” (2003) and “September Dawn” (2007), but with a revenge-chase plot. The final act throws in supernatural elements with characters like Mr. Charon (Wes Studi) and Louise C. Fair (Angelica Huston). You don’t have to think too hard to figure out who they really are. The movie runs 1 hour, 55 minutes and was shot in Oregon (McKenzie River, Sahalie Falls and Koosah Falls), New Mexico (Lordsburg, Taos, Bramlett and Santa Fe), Arizona (Willcox Playa, Pirtleville, San Bernardino Valley and Chiricahua National Monument) and Death Valley National Park, California. GRADE: B/B-
Go as you wish. That which is yours will always return to you. That which you take will always be taken from you. Seraphim Falls is directed by David Von Ancken who also co-writes with Abby Everett Jaques. It stars Liam Neeson, Pierce Brosnan, Michael Wincott, Xander Berkeley, Tom Noonan, Kevin J. O'Connor, John Robinson, Ed Lauter, Wes Studi and Anjelica Huston. Music is by Harry Gregson-Williams and cinematography by John Toll. It's post American Civil War, 1868, the Rocky Mountains, and Gideon (Brosnan) is being hunted by Colonel Morsman Carver (Neeson) and his hired killers. The reason why is not yet known, but it's the beginning of a relentless pursuit that's propelled by rage and hatred, a pursuit that will force both men to the day of reckoning. The premise is as simple as it gets and on the surface the film holds no surprises until the divisive ending. However, before taking in the thematics of the story, it's refreshing to find a film of this genre type utilising the scenery to the max, whilst simultaneously playing out with sparse dialogue as two grizzled actors tell the story. An obvious forebear to "The Outlaw Josey Wales", Seraphim Falls is ultimately a meditation on revenge and remorse. Moments of violence flit in and out of proceedings, these moments cloaked magnificently by natural surroundings, where the expansive wilderness plays host to the intimate human drama unfolding. It's also a film that pulses with mythical atmosphere, where Carver's pursuit of Gideon plays out like that of the Grim Reaper and his charges sent to capture the soul of the fleeing man. The falls of the title clearly indicates man's decent into hell, because it's not for nothing that the finale is played out on a blistering plain, which as you cast your eyes upon it, it is indeed hellish. It's also worth noting that we the viewers are never sure who we should be rooting for - if either of them!? Gideon is out on his own, but he is an immensely skilled mountain man, one who is seemingly out skilling his pursuers. Is he the bad guy here? Or is it Neeson's Carver? One is ex Union, the other Confederate, this gives added spice to what then develops into a most intriguing journey. Where the film has irked some critics is with the ending, with some calling it pretentious and a very weak pay off. It's true enough to say that Ancken has slackened the grip slightly, as the tight gritty tone gives way to something more open and even airy. Yet I personally like it a lot, it helps to round out the supernatural feel that appears to loom as we have headed towards the day of reckoning. It lacks dramatic impact for sure, but thematically and for tonal bedfellow process, it pays off on what had gone before it. Brosnan (stepping in when Richard Gere bailed out) and Neeson revel in the roles, seemingly enjoying the complexities and war torn burdens that their characters carry. Their scenes together are as professional as one could wish, both men comfortably doing world weary characterisations. Wincott is on hand for gravel voiced villain duties, his portrayal of Hayes is cold and in keeping with the movie. The other notable names in the cast drop in and out of the narrative, each important, and in the case of Huston and Studi, suitably weird. But the real star of the show is John Toll (Braveheart/Legends of the Fall), whose photography is pristine and always remaining atmospheric, he captures the natural beauty of Oregon and New Mexico with great keen eyed skill. Switiching seamlessly from the blue, grey and whites of the mountain pursuit to the browns and yellows of the salt flats, we witness a master cinematographer at work. Likely to infuriate as much as it enthrals, one just hopes that it's the latter that anyone reading this does indeed find to be the case. 8/10
Ivón, a chorus girl, Hugo, a failed writer, and Carlos, Hugo's young son, arrive at a seaside hotel on a stormy night.
In the Dakotas during the days of the Great Gold Boom, brothers Jim and Bob Holliday are bumping heads over the affections of pretty Anne Grayson. While all this is going on, Wild Bill Hickok does his best to neutralize the local criminal element-and to fend off the romantic overtures of boisterous Calamity Jane.
Jupiter’s famous blemish, the Great Red Spot, has vanished. When massive storms are reported in North America, it quickly becomes apparent that the huge, high storm that has been swirling around Jupiter for hundreds of years has landed on Earth. Swallowing up everything in its path, the Great Red Spot threatens to transform Earth into another Jupiter-like gas giant in just a matter of days! aka Mega Cyclone
Aviator Jim Blaine and his brother Neil are rivals not only as daredevil flyers, but also for the love of parachutist Jill Collins.
Lally is a rich girl whose father writes books and plays polo. After 23 years of marriage her father decides to divorce Lally's mother and remarry to soon-to-be-divorced Beth Cheever. This sours Lally on all men. While on vacation with her mother she meets Jack, who succeeds in stealing her heart. Then Lally discovers that Jack is the son of Beth Cheever, the woman who is to marry her father.
A group of copper miners, Southern veterans, are terrorized by local rebel-haters, led by deputy Lane Travis. The miners ask stage sharpshooter Johnny Carter to help them, under the impression that he is the legendary Colonel Desmond. It seems they're wrong; but Johnny's show comes to Coppertown and Johnny romances lovely gambler Lisa Roselle, whom the miners believe is at the center of their troubles.
Three young men go on an end of the summer trip to Hollywood, California. Their quest: to fulfill the fantasy of meeting Marilyn Monroe.
Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.
A playboy is in love with a woman and enters the army thinking it will improve his chances with her.
On Iran's northern frontier with Turkmenistan, the land of "heartbreak and tractors", director Babak Jalali mines absurdist humour and quiet pathos from the immutable routines of a stranded group of men.
Based on an astonishing true incident that took place on the frigid seas off Iceland in 1984, The Deep fashions a modern-day everyman myth about the sole survivor of a shipwreck, whose superhuman will to survive made him both an inexplicable scientific phenomenon and a genuine national hero.