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Grim, relentless pursuit Western turns mystical in the last act A vengeful former Confederate colonel (Liam Neeson) leads a small group of hirelings in an unyielding hunt for the former Union officer who horribly wronged him three years earlier (Pierce Brosnan). The only problem is that the latter is an expert fighter and survivalist. This is a well done revenge Western with spectacular and varied remote Western locations (detailed below). If you thought Brosnan was a pretty boy as James Bond this movie will change your mind as he’s virtually unrecognizable as the skilled Rambo-like militarist. The tone is similar to contemporaneous Westerns like “The Missing” (2003) and “September Dawn” (2007), but with a revenge-chase plot. The final act throws in supernatural elements with characters like Mr. Charon (Wes Studi) and Louise C. Fair (Angelica Huston). You don’t have to think too hard to figure out who they really are. The movie runs 1 hour, 55 minutes and was shot in Oregon (McKenzie River, Sahalie Falls and Koosah Falls), New Mexico (Lordsburg, Taos, Bramlett and Santa Fe), Arizona (Willcox Playa, Pirtleville, San Bernardino Valley and Chiricahua National Monument) and Death Valley National Park, California. GRADE: B/B-
Go as you wish. That which is yours will always return to you. That which you take will always be taken from you. Seraphim Falls is directed by David Von Ancken who also co-writes with Abby Everett Jaques. It stars Liam Neeson, Pierce Brosnan, Michael Wincott, Xander Berkeley, Tom Noonan, Kevin J. O'Connor, John Robinson, Ed Lauter, Wes Studi and Anjelica Huston. Music is by Harry Gregson-Williams and cinematography by John Toll. It's post American Civil War, 1868, the Rocky Mountains, and Gideon (Brosnan) is being hunted by Colonel Morsman Carver (Neeson) and his hired killers. The reason why is not yet known, but it's the beginning of a relentless pursuit that's propelled by rage and hatred, a pursuit that will force both men to the day of reckoning. The premise is as simple as it gets and on the surface the film holds no surprises until the divisive ending. However, before taking in the thematics of the story, it's refreshing to find a film of this genre type utilising the scenery to the max, whilst simultaneously playing out with sparse dialogue as two grizzled actors tell the story. An obvious forebear to "The Outlaw Josey Wales", Seraphim Falls is ultimately a meditation on revenge and remorse. Moments of violence flit in and out of proceedings, these moments cloaked magnificently by natural surroundings, where the expansive wilderness plays host to the intimate human drama unfolding. It's also a film that pulses with mythical atmosphere, where Carver's pursuit of Gideon plays out like that of the Grim Reaper and his charges sent to capture the soul of the fleeing man. The falls of the title clearly indicates man's decent into hell, because it's not for nothing that the finale is played out on a blistering plain, which as you cast your eyes upon it, it is indeed hellish. It's also worth noting that we the viewers are never sure who we should be rooting for - if either of them!? Gideon is out on his own, but he is an immensely skilled mountain man, one who is seemingly out skilling his pursuers. Is he the bad guy here? Or is it Neeson's Carver? One is ex Union, the other Confederate, this gives added spice to what then develops into a most intriguing journey. Where the film has irked some critics is with the ending, with some calling it pretentious and a very weak pay off. It's true enough to say that Ancken has slackened the grip slightly, as the tight gritty tone gives way to something more open and even airy. Yet I personally like it a lot, it helps to round out the supernatural feel that appears to loom as we have headed towards the day of reckoning. It lacks dramatic impact for sure, but thematically and for tonal bedfellow process, it pays off on what had gone before it. Brosnan (stepping in when Richard Gere bailed out) and Neeson revel in the roles, seemingly enjoying the complexities and war torn burdens that their characters carry. Their scenes together are as professional as one could wish, both men comfortably doing world weary characterisations. Wincott is on hand for gravel voiced villain duties, his portrayal of Hayes is cold and in keeping with the movie. The other notable names in the cast drop in and out of the narrative, each important, and in the case of Huston and Studi, suitably weird. But the real star of the show is John Toll (Braveheart/Legends of the Fall), whose photography is pristine and always remaining atmospheric, he captures the natural beauty of Oregon and New Mexico with great keen eyed skill. Switiching seamlessly from the blue, grey and whites of the mountain pursuit to the browns and yellows of the salt flats, we witness a master cinematographer at work. Likely to infuriate as much as it enthrals, one just hopes that it's the latter that anyone reading this does indeed find to be the case. 8/10
In 1870, a Jamaican colonial family sends its children to Britain for proper schooling, but their ship is taken over by pirates, who become fond of the kids.
Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.
An accountant sent to produce an evaluation of a tornado research project, and the scientist running the project pursue tornadoes and each other.
Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Bill, an idle, unemployed aspiring writer, walks the crowded streets of London following randomly chosen strangers, a seemingly innocent entertainment that becomes dangerous when he crosses paths with a mysterious character.
Charlie Simms is a student at a private preparatory school who comes from a poor family. To earn the money for his flight home to Gresham, Oregon for Christmas, Charlie takes a job over Thanksgiving looking after retired U.S. Army officer Lieutenant Colonel Frank Slade, a cantankerous middle-aged man who lives with his niece and her family.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide - a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.