Aftermath 2024 - Movies (Nov 28th)
Greedy People 2024 - Movies (Nov 28th)
Sincerely Truly Christmas 2023 - Movies (Nov 28th)
A Bluegrass Christmas 2024 - Movies (Nov 28th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Sweethearts 2024 - Movies (Nov 28th)
Cabrini 2024 - Movies (Nov 28th)
A Little Womens Christmas 2024 - Movies (Nov 28th)
Suspicion 2024 - Movies (Nov 28th)
Operation Undead 2024 - Movies (Nov 28th)
The Lady of the Lake 2024 - Movies (Nov 27th)
Our Little Secret 2024 - Movies (Nov 27th)
The King Tide 2023 - Movies (Nov 26th)
Alien Romulus 2024 - Movies (Nov 26th)
Anthony Jeselnik Bones and All 2024 - Movies (Nov 26th)
Ballistic 2024 - Movies (Nov 26th)
Letters at Christmas 2024 - Movies (Nov 26th)
Smoggie Queens - (Nov 28th)
Second Chance Stage - (Nov 28th)
Holidazed - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
Letters and Numbers - (Nov 28th)
The Chase Australia - (Nov 28th)
Taronga- Whos Who In The Zoo - (Nov 28th)
The Chase - (Nov 28th)
Return to Las Sabinas - (Nov 28th)
Rip Off Britain - (Nov 28th)
Love Island Australia - (Nov 28th)
Big Freedia Means Business - (Nov 28th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
There's a lot to unpack about 'Gran Torino', probably way more than I could offer an opinion on. I fully acknowledge the talk about this film's potential impact on the world, namely for Hmong Americans (see: Bee Vang's op-ed), and I'm not saying it's perfect one bit. I admittedly do have a difficult time separating film and real life, to me films are just fictional things but I get they can/do have real world implications. Strictly as a film, it is entertaining. Clint Eastwood is remarkably good at being a super racist and super grumpy old man, who literally hates every single person he encounters across the opening portion of the film. His character's lines in this are nuts and his delivery with them is incredible - the look of utter disgust on Walt Kowalski's face when someone pisses him off in a new way is just amusing to watch. If not for his on point delivery, it wouldn't have worked. Eastwood is the only actor in this worth talking about on a grander level, though I could've done without his ropey singing at the end, but I did enjoy the showings of the earlier mentioned Vang, Ahney Her and John Carroll Lynch - not that the latter does much, I just like the guy as an actor... all stems from 'The Walking Dead', he's in literally one episode back in 2015 and yet I always remember his character. I'm not sold on the ending, Walt isn't exactly redeemed and it does reek of white saviour let's be real, but it didn't affect my enjoyment in film terms to be honest.
Clint Eastwood is a good director. I've seen ten of his films, one of them being “Play Misty for Me.” A film that I think is incredible. But like any director, Clint’s films can vary in quality. In the case of “Gran Torino,” it's a good film, but probably not one I'm going to rewatch very much. Clint Eastwood and Bee Vang put in great performances. Walt, played by Clint Eastwood, is a tough character to watch. His prejudices are the main reason for that. This is my view of the character, of course, so how you feel about him depends on your views. I think the ending of the film works. It's a decent end to Walt's character journey.
It's curious that the main English language awards largely ignored this, yet it won both a David and a César in Europe and is definately one of Clint Eastwood's more characterful efforts. He is the curmudgeonly "Walt" who has recently lost his wife, has an arms-length relationship with his son and looks disapprovingly as his neighbourhood ceases to be the home of "Americans"! His prize possession is his Gran Tornino car and he doesn't take to kindly to Bee Vang's "Thao" (or "Toad") trying to pinch it. Quickly, though, he sees that this young man and his sister "Sue" (Ahney Her) are being bullied by their thuggish extended family - a gang of obnoxious would-be gangsters who drive the streets picking fights and taunting people. He decides to intervene and the rest of the story sees a bond develop between him and his new "family" based on a degree of mutual understanding, trust, and "Toad" becoming his slave for a fortnight by way of penance! We are given some clues along the way as to the grand designs of "Walt" as he sets up a denouement, after a brutal assault on "Sue", that will satisfy not just himself, but keep his neighbours safe too. It's not the most naturally written dialogue, indeed at times it's quite forced but the underlying premiss of bigotry and the attitudes of intolerance and bullying are well addressed. The characterisation of the distant and prejudiced "Walt" is delivered engagingly, and with some dark humour, by a star/director who has a point to make. There's also quite a gently potent effort from Christopher Carley as the local priest. He is trying to offer the perfunctory words of hope and comfort to this veteran and he perseveres despite the dog's abuse he receives from a man who no longer feels it necessary to commit to the niceties of society. Clearly, "Walt" cares little for what is left of his life nor for any of his sins to be forgiven. It's about grief, relevance, community and I think it works. Give it a go.
Andy is a new teacher at an inner city high school that is unlike any he has seen before. There are metal detectors at the front door and the place is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.
Bizarre nightmares plague Regan MacNeil four years after her possession and exorcism. Has the demon returned? And if so, can the combined faith and knowledge of a Vatican investigator and a research specialist free her from its grasp?
Bomber is an unemployed boat captain. One day he meets Jerry, a manager of boxers who are struck by the force of his fists. That is when they see the chance to win big money.
Four teenagers from a small Texas town come face-to-face with their own consciences after a tragic accident.
The female instructor Mariko gives yoga classes at a high-class club in Tokyo. She has a crush on Rika whom she gives private lessons to. When she notices bruises on Rika's body, Mariko learns that the young woman is involved in a highly abusive S&M relationship. On order to gain the affections of her student, Mariko decides to take revenge against the men in Rika's life.
Ryan McNamara has been beaten, abused, witnessed slaughter, and been subjected to sexual torture. But that's nothing compared to what Ryan is about to do.
During his 18 years in Folsom Prison, street-gang leader Santana rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits.
1950s New York City. A bad and bloody gang war is about to erupt on the dysfunctional streets of Brooklyn. The Deuces at war with the vicious Vipers. Scott Kalvert directs this tale of lust, drugs, mayhem and madness during one hot summer on the streets of New York.
Ace is an impressionable young man working for a dry cleaning business. His friend, drug dealer Mitch, goes to prison. In an unrelated incident, he finds some cocaine in a pants pocket. Soon, Ace finds himself dealing cocaine for Lulu. Via lucky breaks and solid interpersonal skills, Ace moves to the top of the Harlem drug world. Of course, unfaithful employees and/or rivals conspire to bring about Ace's fall.
Jack and Caroline are a couple making a decent living when Jack suddenly loses his job. They agree that he should stay at home and look after the house while Caroline works. It's just that he's never done it before, and really doesn't have a clue...
In a dystopian Detroit, grand houses that once housed the wealthy are now homes of the city's most-dangerous criminals. Surrounding the area is a giant wall to keep the rest of Detroit safe. For undercover cop Damien Collier, every day is a battle against corruption as he struggles to bring his father's killer, Tremaine, to justice. Meanwhile, Damien and an ex-con named Lino work together to save the city from a plot to destroy it.