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In February 2014, paramilitary groups fought against the police in the streets of Kyev and ousted President Yanukovych. They settled a new government. According to western media, they were the revolution heroes. But they are actually heavily armed extreme-right militias. The Right Sector, Azov or Svoboda created parallel irregular forces that easily go out of control. In Odessa, in May 2014, they were responsible for burning 45 people to death without facing any charges. How come western democracies haven’t raised their voice in protest? Most likely because these Ukrainian nationalist militias actually played a significant role in a much larger scale war. The Ukrainian revolution was strongly supported by the US diplomacy. In the new cold war that opposes Russia to the USA, Ukraine is a decisive pawn. A tactical pawn to contain Putin’s ambitions. “Ukraine, masks of the revolution” by Paul Moreira sheds light on this blind corner.
Ukraine in Flames is a documentary produced by Oliver Stone that reveals American and NATO participation in the 2014 coup d'état in Ukraine and its aftermath. The renowned American director, who in recent years has made several productions within the genre of political cinema, investigates the origins of the current conflict that currently keeps the entire European continent and the entire planet in suspense. In the film, Stone interviews, among others, the former president of Ukraine, Víktor Yanukovych; Russian President Vladimir Putin and former Ukrainian Interior Minister Vitali Zajarchenko.
Crossfire is the investigative documentary by an international team of journalists about two reporters, Andrea Rocchelli and Andrej Mironov, killed in eastern Ukraine, and the Ukrainian soldier Vitaly Markiv accused of their murder
Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
Revolutions on Granite is a documentary about Maidan Nezahlezhonsti, a public square in the heart of Kyiv, Ukraine — famously home to a number of political revolutions, but also the birthplace of a cultural revolution after the fall of the Iron Curtain. The film takes a look at the burgeoning skateboard scene at Maidan in the early 1990’s, and investigates the idea of a counterculture being created in a place of strict uniformity.
Stories united by the Revolution of Dignity. Charismatic and honest characters tell about their own Maidan: Lesia Khomenko, Alevtyna Kakhidze, Maks Vehera, Oleksii Furman and Bohdan Kutiepov.
Made entirely on Roger Wagner's HyperStudio software, Chris Marker explores set theory, using Noah's Ark as an example.
Chris Marker’s Bullfight in Okinawa is a bizarre, 4 min documentary that introduces viewers to Japan’s subterranean past time of bullfighting. Part of Markers five-film “Bestiary” series, Bullfight employs observational documentary techniques and, in particular, Marker’s camerawork is impressive — tight framed shots, free-hand pans, and quick zooms all contribute to the film’s urgent sense of tension — and, if it weren’t for the suspense inducing music, this short-gem would be damn close to pure objective documentary cinema.
A young man, who served as a peacekeeper in Bosnia and Herzegovina for a few months during the war, recounts his experiences. Throughout the film, we only see his face filmed in close-up, along with a few photos. The interview acts as a strong testimony to the failure of the international community in the Yugoslav crisis.
In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.