Māori

James Nesbitt moved to New Zealand in 2011 when he landed the role of Bofur in Peter Jackson's Hobbit trilogy, but he says the country remains largely unknown to him. Travelling more than 1,000 miles from the tip of the North Island down to the South, the actor finds out more about the place he has called home, visiting areas of natural beauty and learning about the nation's history and traditions. Along the way, he meets former All Blacks player the late great Jonah Lomu, takes a trip around film star Sam Neill's vineyards in Queenstown, catches up with Peter Jackson and goes Base-jumping from the tallest building in Auckland.

Renowned Haida artist Bill Reid shares his thoughts on artistry, activism and his deep affection for his homeland in this heartwarming tribute from Alanis Obomsawin to her friend's life, legacy and roots.

France makes the most desired, revered and expensive wines in the world. They’ve had centuries to hone their craft. If you make fine wine, France is the benchmark. Or are they? One country famous for punching above its weight is taking on the aristocracy. This is a story featuring the World's most renowned winemakers, critics, writers and fine wine merchants. Travelling from the Old World to the New World we explore the history, culture and tension in the changing world of fine wine, answering that one question - has New Zealand earned a seat at the table?

The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle—a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.

The larger-than-life story of Kim Dotcom, the 'most wanted man online', is extraordinary enough, but the battle between Dotcom and the US Government and entertainment industry—being fought in New Zealand—is one that goes to the heart of ownership, privacy and piracy in the digital age.

One-time Maori speed-chess champ, Genesis Potini, lives with a bi-polar disorder and must overcome prejudice and violence in the battle to save his struggling chess club, his family and ultimately, himself.

Spontaneous Combustion embraces the holistic vision of one of Aotearoa New Zealand’s most provocative artists and thinkers: the unity of the natural environment and the human imagination, the energy, rhythm and textures of the physical world expressed in clay, words, and music. The film celebrates the legacy of Barry Brickell (1935-2016) and the realisation of his extraordinary dream, Driving Creek Railway: a productive pottery with numerous kilns, a bush railway, a native bird and bush sanctuary and a lively creative hub drawing artists from around the globe.

In a corner of regional Victoria exists a place of astounding natural beauty, archaeological significance and age-old culture. But the Indigenous scarred trees and artefacts found here are at risk. With the blessing of the local Dja Dja Wurrung People, white horticulturist Paul Haw has made it his mission to care for Lake Boort and its surrounds.

In 1973 Alister Barry joined the crew of a protest boat (The Fri) to Mururoa Atoll, where the French Government were testing nuclear weapons. Barry records the assembly of the crew, the long journey from Northland, and their reception in the test zone; when The Fri was boarded and impounded by French military he had to hide his camera in a barrel of oranges.

A contemplation of art and adventure in the southern wilds of New Zealand by both a landscape photographer and an adventure filmmaker. This film is the unexpected result of their two unique perspectives.

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.