Magicenelbeat

Shot in 11 cities and 5 countries, Speaking in Code provides a glimpse into the world of electronic dance music through the eyes of Modeselektor, the Wighnomy Brothers, Philip Sherburne, Monolake and David Day. Director Amy Grill documents their successes and failures over a three-year period.

Mike Stock, Matt Aitken and Pete Waterman were the producers who came, SAW and conquered the UK charts in the 1980s, spinning the music scene right round like a record with their instantly recognisable brand of disco floor-filling pop hits. The trio divided the nation between those who loved their Hi-NRG sound and the singers they transformed into tabloid sensations, and a music press that loathed them for turning record producing into a production line. Today, many of SAW’s most memorable hits are considered classics of their time, and the very best of them are celebrated in this new selection, featuring such artists as Rick Astley, Dead or Alive, Donna Summer, Bananarama, Mel & Kim and, of course, Kylie and Jason

In the late 1960s, the Beach Boys' Brian Wilson stops touring, produces "Pet Sounds" and begins to lose his grip on reality. By the 1980s, under the sway of a controlling therapist, he finds a savior in Melinda Ledbetter.

Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of his new rock palace, the Paradise.

When Conny died at the age of only 47, his son Stephan was just 13 years old. Twenty-five years later, together with co-director Reto Caduff, he went in search of the man he often only experienced behind the mixing desk as a child. At the same time it became the search for the artistic legacy of his father.

The story of The Beatles' last song featuring exclusive footage and commentary.

Television documentary about the legendary Abbey Road Studios in London, England.

Despite its Afro-American origins, the history of disco music, the soundtrack of the seventies, would be inconceivable without a handful of legendary European music producers who conjured up some of the biggest world-wide hits in the anonymity of their studios.

For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.

In 1976, Indonesian contemporary poet, Sutardji Calzoum Bachri, reads his poetry collection titled 'Amuk'. After 37 years, the sound record archive of that event is found in Jakarta Art Council. Using the archive, Rencong a.k.a DANGERDOPE, a hip-hop DJ from Aceh staged a music show.

Set against the backdrop of the miner's strikes in 1984, a rock band strive for success during turbulent times.