3 Doa 3 Cinta

As violence erupts over accusations of black magic, a pesantren becomes the center of terror. As teachers and students are killed one by one, Satrio fights to survive and protect his parents—while uncovering the dark force behind the chaos.

A cinematic experience by Douglas Gordon - in which the film D.O.A. is screened simultaneously on three screens beside one another, but at slightly different speeds. The films quickly fall out of synch with one another. Déjà-vu uses footage from D.O.A. 1949-50, a Hollywood thriller directed by Rudolph Mateé. The film has been transferred to video and is projected simultaneously on three parallel screens at normal speed as well as slightly faster and slightly slower - 25, 24 and 23 frames per second (left to right). This has the effect of making the three identical narratives diverge increasingly over time, and inducing in the viewer an experience similar to déjà-vu.

Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.

PREDATORS is a short dark, suburban slice-of-life tale, a paranoid character study of the dark-side of childhood. A group of kids lives are irrevocably changed when they discover a dangerous predator living in the woods.

This story of the beginning of the century about a terrorist and a prostitute combined the inhumanity and sacrifice of terrorism - a disastrous and noble delusion that originated in Russia and spread throughout the world.

A doctor cures a woman of leprosy, but her family members throw her out of the house as they believe the disease is incurable.

Three balding brothers travel to Istanbul to get a hair transplant. Stuck with each other in a hotel far from home, their insecurities grow faster than their hair.

In Provence , Father Caillé runs a family pension backed by his daughter-in-law Cora and a maid. The old man persecutes Cora for her assiduity until the day when she, in a particularly violent confrontation, knocks him down before the eyes of Gino, an Italian pensioner of whom she is in love. The two accomplices will try to make up the murder.

Janine works in a bank giving credits to clients to buy houses and receives the offer of a promotion to work in a future branch in China for which she takes Mandarin classes. One night he travels from work to his home on the subway. There is attacked by two young delinquents a very old woman and Janine tries to avoid it. The young follow her and it is then that they steal and attack her sexually. After recovering from the blows and the anguish he gets up and sees his attackers raping a helpless young girl. Janine, instead of taking some initiative to stop them, flees home. From that situation her life is disrupted and her job promotion to China, her consolidated partner and her present as an independent woman become secondary and worthless issues. Janine lives in anguish and tormented by the memory of that traumatic situation. To try to recompose himself, he travels to the countryside to see his father who is a widower and is trying to rebuild his life after the death of his wife.

When a group of friends fail to lower the ladder of their boat, they find themselves stranded in the surrounding waters and struggle to survive.