The Band - The Band Is Back

A naive Canadian barber who knows US popular culture inside and out meets a flamboyant roadie who needs someone to drive her and her "brother's" corpse from Thunder Bay, Ontario to New Orleans. Chaos ensues after the barber agrees to drive her, the corpse, and the drugs stashed within all the way.

A powerful documentary starring Morgan Freeman about the genesis of The Blues in the South and the music spreading around the world. Morgan Freeman shares his story of his experience of growing up in Clarksdale, Mississippi and his love for the Blues.

Filmed in Melbourne, Australia in 1984, this concert video is the only full length concert film of the band at this time. A stunning concert with the band in incendiary form, the setlist mixes then new tracks from the 'Perfect Strangers' album with favorites from the early seventies culminating in the brilliant 'Smoke On The Water' finale.

Filmed during the massively successful 2014 Soundtrack of Summer Tour, Live at The Orleans Arena Las Vegas features Styx performing a career-spanning set list before a highly energized crowd. Styx performs such classics as “Too Much Time On My Hands”, “Renegade” and “Blue Collar Man”, where they are joined by Rock and Roll Hall of Famer Don Felder.

Geats Extra: Kamen Rider PunkJack is an upcoming TTFC exclusive web special set within the continuity of Kamen Rider Geats. The special explores the origins of the Desire Grand Prix and how Win Hareruya became a member of their staff as Kamen Rider PunkJack.

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.

In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Recorded on July 18, 1993 at Peer Blues Festival in Peer, Belgium whilst touring in support of the "Feel This" album. The band normally performed as a trio however for this show they add a keyboardist and two backing vocalists giving the songs greater depth and range taking the entire performance to a new level. The Jeff Healey Band were legendary live performers , this captures them at their very best.

"Getting The Knack" chronicles the controversial career of power pop stars, The Knack. Viewers will witness a compelling tale of instant stardom and spectacular failure, a story marked by heroin addiction, alcohol abuse, vicious inner-band feuding and massive critical backlash. "Getting The Knack" explores the group's career via candid interviews with the original band, producers Mike Chapman and Jack Douglas, Sharona Alperin, (the inspiration behind their biggest hit), Steve Jones of The Sex Pistols, Rick Springfield, Elliot Easton of The Cars, Devo's Bob Mothersbaugh, comedian Weird Al Yankovic and many more. Narrated by Cherie Currie of The Runaways, "Getting the Knack" is augmented by scores of rare photos and previously unseen archival footage providing a no-holds barred look at the rise and fall and ultimate resurrection of the group.

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.