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Hamish gives off this sad reluctant yearning vibe that’s so palpable, real interesting subtext, however it’s a bit on the nose! Hamish’s clarity and communicative nature creates a power dynamic that feels off kilter and the writer might have foregone some development on specifying each characters’ journey, centring the story on a goal, and defining the focal point of the central dramatic question and the thematic narrative. However, reading into Hamish’s hesitance and London’s naïveté allows for some more complex readings, helpfully aided by some intuitive and clever direction. Discussing points of constructive growth around this student film could be very catalytic to the filmmakers’ understandings of storytelling; these techniques pique my curiousity. The choices, irrespective of intentionality, reveal the story’s most tender beats, and play with emotional energy in increasingly sincere growth. These performances find touching moments of connection as well as the most accessible parts of the dynamic. There’s a pain, longing, desperation, regret, anxiety, that’s easily accessible for some viewings and a bit less palatable for others. Well-educated proficient technical work allowed for payoffs on riskier choices in the scene’s energy.
This film evolves around a mother and a son and their day on May 17, 2013. The story starts in the morning when a woman discovers her son wearing her red dress. The film is dedicated to the theme of homophobia and is closely related to May 17, 2013, the International Day Against Homophobia and Transphobia.
The opposite lives of a workaholic architect and a fiery artist are upended when their chance encounter in breathtaking Peru shifts their views on life.
Boy meets boy. Almost like any love story - but what happens when you are not only discovering the other person but also yourself? Marco has just separated from his ex-girlfriend and meets Galo, a carefree and pleasant boy who shakes up his world. And the structure. And the thoughts. Because Marco thinks a lot, more than he acts, although his active mind and his hyper-obsessive analysis of everything around him can help him get closer to Galo. Boy gets boy?
A young couple gets ready for a ceremony. Emilia is not dressed yet and Pietro is struggling with his tie and also very annoyed about a speech he has to give. While they talk around their house, time travels back and forth revealing different phases of their life.
A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.
A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.
A man must go on a journey through the darkest recesses of his mind or succumb to his vices.
A journey of passion, a bitter night. Xiao Cheng ask for help to resolve a big trouble, the guy with whom he spend the afternoon is dead on his bed from the effect of a drug, not something the Chinese authorities look kindly on.
The true story of Harvey Milk, the first openly gay man ever elected to public office. In San Francisco in the late 1970s, Harvey Milk becomes an activist for gay rights and inspires others to join him in his fight for equal rights that should be available to all Americans.
Self Destructive Boys is a direct stare into masculine interaction as we follow three boys in their mid-twenties, António, Xavier and Miguel testing the limits of their sexual flexibility.
