50 anni di CLU

An unusual friendship in an agitated political context.

An artist's sculpture is burnt down, a protester is charged with a criminal case, and a democracy movement is violently attacked. In the United States, three Chinese dissidents fight for democracy against a superpower through art, petition, and grassroots organizing, but not even exile is safe.

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

Young people who have to survive without a home base are helped on their way to a life on their own two feet at Wonen Met Kansen. Little by little, with trial and error, but with the rock-solid confidence that the supervisors have in them.

Two mothers who were each separated from their children in the United States for months after fleeing from danger in their homelands to seek asylum work with pro-bono lawyers and volunteers to reunite with their kids who have been placed thousands of miles away from them with little access to communication.

A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.

The Interrupters tells the moving and surprising stories of three Violence Interrupters — former gang members who try to protect their Chicago communities from the violence they once caused.

The lives of four Syrian families, resettled in Baltimore and under a deadline to become self-sufficient in eight months.

Realizing the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.

The story of artist Edith Lake Wilkinson, a painter who was committed to an asylum in 1924 and never heard from again. All her worldly possessions were packed into trunks and shipped to a relative in West Virginia where they sat in an attic for 40 years. Edith's great-niece, Emmy Award winning writer and director Jane Anderson, grew up surrounded by Edith's paintings, thanks to her mother who had gone poking through that dusty attic and rescued Edith's work. The film follows Jane in her decades-long journey to find the answers to the mystery of Edith's buried life, return the work to Provincetown and have Edith's contributions recognized by the larger art world.