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The first thing that went through my head the second Sunshine Cleaning ended, was 'I could have gone on watching for at least another hour'. Not just because it ended a little abruptly, but mostly because I so thoroughly enjoyed this film, that I was seriously disappointed when it was over. It's like that book that's so compelling that you just want to inhale every word, but dread to actually finish. Sunshine Cleaning is about two sisters, who, driven by dire financial straits, decide to start "a biohazard removal/crime scene clean-up service", cleaning up the houses of people who died gruesome deaths. The premise is fairly simple, but executed in a very lovely, heart-warming way, half tragedy – half comedy. Because of course, this film is not only about cleaning up other people's mess, but also about cleaning up some of their own baggage along the way, especially when the sisters are confronted with the memory of a death akin to what is now their daily business. Somewhere in between all this they have to deal with their eccentric father, the elder sister's peculiar son, love, loss, failure and a glimmer of hope. Reading this back now I realise this actually sounds really cheesy and sentimental, but I would have hated it if it was. Trust me. Amy Adams plays Rose, the eldest of the two, and Emily Blunt plays Norah, the rebellious younger sister. Rarely have I seen such great chemistry and energy between a leading pair. These two women make it seem like they've been working together for years, and physically they're a perfect match too, they actually look they could be sisters. Rose is obviously the mature, sensible one, whereas Norah just kind of takes things as they come, not worrying and not taking responsibility for her life. Though they seem to be bound not so much by kinship, but rather by a mutual fate and childhood hardship that has left its mark on both of them, although they deal with it very differently. Rose tries desperately to build a better life for herself and her son, but rarely finds any luck on her path. Norah just wings it and refuses to grow up. Both Amy Adams and Emily Blunt prove to have great star quality and talent, and I think I can now officially call myself a fan of both. They are raw and real, one is sweet and the other is sour, without overacting anything. Alan Arkin is great as their dad. Eccentric, bitter yet loving, idealistic and seemingly in a mild state of denial. He plays pretty much the same character as in that other (great!) film of Sunshine Cleaning's producers, Little Miss Sunshine, where he also played the grumpy granddad. This type of role seems to be custom-made for him. Another great part is played by professional chameleon Clifton Collins, Jr. He plays Winston, the owner of a cleaning supplies shop, and he turns out to be that small shimmer of good luck that Rose so desperately needs. Actually, everyone in this film is so perfectly cast that it almost seems like this is a real family, in a real situation. It just doesn't feel contrived in any way, despite the lack of originality and obvious pitfalls where the story could have easily crashed and burned into a wasteland of melodrama and false sentiment. But like I mentioned earlier, this doesn't happen at any point. Usually when a film is on the borderline of becoming a total cliché, and yet works out successfully, it is because of one or maybe two factors. However, with Sunshine Cleaning, it's all of them. Cast, screenplay, dialogue, direction, camera work, production, just everything is wonderful. I'm actually running out of superlatives to describe this film. I'm inclined to give this film 10 stars, however there is just one small thing that kind of failed in my opinion and that's the ending. Nothing wrong with it story-wise, it just ended so abruptly that it feels like they literally ran out of tape. It actually kind of threw me off. But... oh, what the heck, this film deserves 10 stars, easily. In conclusion, Sunshine Cleaning is just a beautifully crafted story about falling (hard) and getting back up on your feet again. It has a real indie-feel to it, it's basically just a pretty little art house gem. Funny thing – while I'm writing this, 4 Non Blondes' "What's Up" is playing in the background, and it feels strangely appropriate to the feeling of this film. So if you want to know what to expect of Sunshine Cleaning, listen to that song, it really captures the essence of the story. I can't think of much more to say to sell this film, all I can do is strongly recommend Sunshine Cleaning to pretty much anyone and everyone. It's wonderful. _(May 2012)_
Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.
When kitchen fitter Niller comes to install Sus's new suite, their immediate attraction to one another proves a sweet escape from both of their problematic relationships.
When three estranged sisters reunite to care for their dying mother, old conflicts and secrets return to the surface.
The 1970s in the former Rhodesia, today Zimbabwe: The native people is going against the white suppressors. As the war reaches the most distant villages as well the two friends Florence and Nyasha join the fighters and assume new names: Flame and Liberty. But the war is not as easy as they thought...
A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.
During a championship baseball match, the three brothers hear that their grandfather in Japan is in trouble, and head out to help him, conceding the match. When they arrive in Japan, they must use all their powers to defend him against his ancient enemy, who has returned to exact revenge.
Desperate to jar herself from the rich tedium of picture-perfect Beverly Hills, Sophie moves across town to another world: Echo Park. She quickly strikes up an unexpected connection with Alex, a handsome neighbor and British expat who is reluctantly selling his beloved home to move back to London. As the summer passes, a romance driven by uncertainty compels them to reassess where each belongs.
Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.
Uptight Millie Haven has always followed the rules, but when she has doubts before her big Kansas City wedding, her attitude-prone little sister Emma, the least likely of heroes, comes to the rescue. They embark on a spontaneous roadtrip to their grandmother’s farm where, with the help of Grandma Mildred, they rediscover their bond.
A Latina working in Los Angeles as a messenger is randomly discovered and fashioned into a pop music star.