SPEAKABLE

In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win the favour of celebrated critics.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Enter the universe of three mujra dancers in Pakistan as they dodge state censorship and violence to vie for stardom.

Mina Bakhshi, Haniya Tavasoli and Rabia Hussain had a fair amount of latitude for women in Afghanistan, able to pursue their education, go to work, and explore hobbies and interests. Joining Ascend, a nonprofit organization teaching leadership and rock climbing to women, gave them the chance to test their personal and cultural limits and explore the mountains of their home country. But when the Taliban took over in August 2021, Ascend became their one chance to escape a regime that would restrict their freedoms and future.

Are there trans people in the punk movement? How does punk resists in a brazilian state as conservative as Goiás? Is it open to different gender expressions?

For decades, performance artist and writer Kate Bornstein has been exploding binaries and deconstructing gender. And, her own identity. Trans-dyke. Reluctant polyamorist. Sadomasochist. Recovering Scientologist. Pioneering Gender Outlaw. Kate Bornstein Is a Queer and Pleasant Danger, joins her on her latest tour capturing rollicking public performances and painful personal revelations as it bears witness to Kate as a trailblazing artist theorist activist who inhabits a space between male and female with wit, style, and astonishing candor. By turns meditative and playful, the film invites us on a thought provoking journey through Kate's world to seek answers to some of life's biggest questions.

A short animated documentary featuring archival recordings of the filmmaker's Volga-German Great-Great-Grandmother, Mary Frank Lind, in which she recalls key memories of childhood—her father's windmill, warm rains, wolf sightings, bone trading, and her passion for carpentry, which broke gender norms but was supported by her father.

Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.

Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

A nude woman relaxing on a bed to Minnie Riperton's song Les Fleurs is exited by its chorus. Director Saam Farahmand heats up the body hair debate.