El Patinador Patinado

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

Dying to Live featured Jon Allie, John Rattray, Matt Mumford, Ryan Bobier, Adrian Lopez, Lindsey Robertson, Ryan Smith, Chris Cole, Jamie Thomas and friends.

Agüero is able to look at the scene in all it's complexity around architectonical brutality that Santiago de Chile underwent around the year 2000.

A political activist is convinced that her guest is a man who once tortured her for the government.

“Grindland – Red, Monk and the Birth of DIY” is the story of Mark Scott and Mark Hubbard, two visionary skaters from the Pacific Northwest who, along with dedicated friends, kickstarted the modern DIY/concrete skatepark revolution. From the early days of Burnside to 2019’s Rip Ride Rally, this film explores the friendship, struggle, triumph and tragedy of true iconoclasts, hellbent on building the skateparks of their dreams. With commentary and appearances by Mark Scott, Mark Hubbard, Danyel Scott, Buddy Nichols, Sam Hitz, Peter Hewitt, Kaya Hubbard, Grindline the Band and many more. By Michael Burnett and Matt Bublitz

Unites 8 Latin American filmmakers from countries such as Argentina, Brazil, Chile, Cuba, Spain, and Mexico in a single feature to count depict in seven stories some of the most brutal crimes that have happened in these countries.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

A conversation between the director of this film, Carmen Castillo and Marcia Merino, AKA La Flaca Alejandra who was one of the collaborators of Pinochet's secret police (the DINA) after being tortured by them. It was Merino who betrayed Castillo, who lost her new born child after being tortured. Almost twenty years later, Carmen Castillo returns to Chile after her exile to film this documentary, during a time in which Marcia Merino, on the court of justice, decided to give the names of her old bosses who worked with her on the DINA.

The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.

Four skaters follow their idol on his summer tour in an attempt to get noticed, get sponsored, and become stars themselves.