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The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

A ship half the size of the Queen Mary, made of hand-tooled oak, lies frozen in a glacier on Mt. Ararat in northern Turkey. In this documentary, producer-director-actor Bart LaRue advances the theory that this ruined ship is Noah's Ark. LaRue became so obsessed with this theory that he risked his life to photograph every scrap of evidence he could glean, even bribing an entire company of Turkish soldiers on the Russian frontier to "look the other way" while he took a team of 17 pack horses and his film crew up the mountain. The legend of Noah and his magnificent ship has endured for centuries; now there is scientific proof that the legend is indeed reality. Now you can decide for yourself. Is this the real ARK OF NOAH?

The same place, the same questionnaire, seven girls from generation Y, gathered for the same project: "Are you ready for porn?" Their weaknesses, their reactions, their attitude facing a camera... A closed door to enter the porn industry.

Part fictional documentary, part musical anthropology, scientific magic, and eco-anarchic utopian journey in a landscape of eight parts. You're Kaloyan, the sax player. Or Diana, the Gypsy dancer. You journey together through Bulgaria in search of the utopian village Dolphinovo. It's not Sofia, Paris or New York. That's why this story is rural, rustic and polyphonic. It's like a string of painted walls of village houses, folk songs and allegories. However, who is Ivo? And why does he lead you through these winter landscapes a year later?

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

In an experimentally compiled film review, Danielle Jaeggi, Paule Baillargeon and Claudia von Alemann reflect on their work as filmmakers and life as mothers. Just as the title is based on Michel Leiris' book of poems Bright Nights and Many a Dark Day, the film has its own poetry, which is also evident in shots of everyday activities, such as hands washing dishes. “Just the hair or the relationship of the hands to each other or gestures, and then words come in between and film clips that we talk about, and we were amazed to find that the women we portray in the films always have a lot of trouble with theirs Identity, their search for something, for lost people or lost things. “They are usually looking for something that has been lost, forgotten or gone,” said Claudia von Alemann in the 1992 interview conducted by Renate Fischetti, A Pioneer of Female Film Language. An essay about desire, doubt, contradictions. (fib)

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.