Pas de quatre

Brother and sister accidentally find themselves at a modern street ballet performance. They are so fascinated by the plot that, forgetting that they are at a performance, they climb onto the stage and find themselves in a fairyland.

Anka competes for a role in "Swan Lake". The girl's determination is not shared by her boyfriend Marek

A writer suffering from a lack of inspiration sneaks his way into the lives of a star television journalist and his lead ballerina daughter to write, unbeknownst to them, a non-authorized biography. Meanwhile, in Brittany, twenty-year-old Bruno, who lives with his parents, doesn't yet know the consequences that this story will have on his existence...

Considered one of the most influential dancers of all time, Angel Vianna marked her name in history after founding the Klauss Vianna School with her husband. Taking the lead of the project, she created her own dance style, mixing body expression with classical ballet, and soon afterwards formed a transformation to dance in a course that has postgraduate lato sensu. Today, at the age of 90, she struggles to remain active and exercise her greatest passion.

A chance encounter between two modern visionaries results in a collaboration that pushes the boundaries of music and our idea of the possible –a piece in which the player must perform orchestra and solo parts simultaneously on a violin.

George Thorogood Live at Rockpalast in 1980 goes from zero to 60 in no time with the opening track, “House Of Blue Lights,” the Chuck Berry classic. “I’m Wanted” has some nice breaks and is as steady as they come. “One Bourbon, One Scotch, One Beer,” is as lively and interesting as the studio version. It’s a ten-minute romp of hard luck and booze, and Thorogood plays it flawlessly. The second disc features some great slide work and features a nice routine of Elmore James including “Goodbye Baby (Can’t Say Goodbye)” and “New Hawaiian Boogie.” Another song Thorogood is well known for covering is “Who Do You Love?” and he plays this Bo Diddley standard with all the attitude of a rattlesnake on a bad day. Classic stuff.

Would the apocalypse really be all that bad? Teenage Freddie certainly doesn't think so, as he boogies his troubles away on a gorgeous sunny hill...