No hay Eco en el Eco

Vera goes to visit her dad in Dorni valley. Here, they will soon find out that his house is in danger. Vera realizes that she must take matters into her own hands to save the house.

A young man aimlessly wanders a snowy landscape day by day longing for his life to return to what it once was, but when he comes face to face with the shadow of his childhood he must reconcile with his grief and move on.

At Cirque de Mortel, the circus artists perform thrilling acts where their lives are constantly put on the line. One day, Death arrives to finally bring them all down to the Underworld. However, he is met by the clown Mortel, who brings him inside the circus and shows him the performance of a lifetime.

Join Simon Sniffcock in his deep dive interview and behind the scenes look into The Big Lez show and it's creator, Clarence Claymore.

Silent cartoon.

An Aesop’s Film Fables cartoon.

A frightened stray cat dreams of its time in the streets.

In the futuristic city of Nouveau San Francisco, a hard-boiled hero "the Viper" and his rage fuelled pet partner "Kitty", will attempt to stop an egomaniacal industrialist "the Jackal" from an evil plan to create a pollution apocalypse.

Orchids,… centers on an animated video in which Marten sets forth a sanitised and alluring world of free-floating and fragmentary objects. Excised from normal context and imbued with an impossible cosmetic sheen, these crystalline forms are conjured in colours that range from the surreally heightened to the deliberately banal. A line of toy-like objects – a train, a giraffe on wheels, a boat – trundles along on an impossibly turquoise plane. Parasitically followed by a swirling black fly, the unfolding narrative is one of production, consumption and saturation. Elsewhere, the naked human backside of the title (cropped and anonymous) is shown with a luridly-glowing orchid tucked between its buttocks. At points, the imagery takes on the semblance of a painting or diagram, both formulaic ‘analogues’ of reality, like the video itself, implying the knotty weight of a Cézanne still life.

Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.

A short story about two beings sharing life experiences as they go - A stop-motion film inspired by 'Shaun the Sheep', but in a horror version. Made on a second-year student budget with all its limitations—from a small production team to lack of sleep and dwindling finances. You can find this short film in Youtube.