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Casualty - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
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Seoul Busters - (Oct 2nd)
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LOST (Guy Green, 1956) (aka “Tears For Simon”) David Knight, Julia Arnall, David Farrar, Anthony Oliver, Eleanor Summerfield, Thora Hird, Marjorie Rhodes, Meredith Edwards, Shirley Anne Field, Freda Bamford, Robert Brown, Fanny Carby, Cyril Chamberlain, Peggy Ann Clifford, Guy Deghy, Percy Herbert, Joan Hickson, Glyn Houston, Jack Lambert, Arthur Lovegrove, William Lucas, Charlotte Mitchell, Hugh Morton, Dandy Nichols, Joan Sims, Ewen Solon, Marianne Stone, Mona Washbourne, John Welsh, Barbara Windsor, George Woodbridge. All things considered, Lost is a highly watchable film, most particularly for those of us who enjoy British character actors because it’s full of them. This tale of an abducted child follows familiar, well-trodden plot lines, but what really brings it to life is its quirky characterisations and interesting and colourful location shooting. The leads (David Knight and Julia Arnall) are somewhat lacklustre but this is more than compensated for by the effectiveness of the supporting players, and Janet Green’s script which manages to inject some humour into the otherwise dramatic proceedings. The police, in the shape of David Farrar, Anthony Oliver and Eleanor Summerfield, are nicely observed and believable characters. There are pre-Carry On turns from Barbara Windsor and Joan Sims – it’s only surprising there’s no Sidney James, as ubiquitous in 1950s films as he was. But if anyone can be said to steal the show it’s Thora Hird as a self-righteous landlady – she’s only on screen for two minutes but she certainly makes the most of it.
I kind of wished that this had been in black and white - it would certainly have helped inject a bit more suspense into this quite quirky tale of the investigation into the kidnap of a young child from his pram outside a chemist's shop. The parents - David Knight and Julia Arnall give reasonable performances as the despairing parents and David Farrar is effective, if not exactly exuberant, as "Insp. Craig" leading the team on the case. It's got a few underlying storylines aside from the obvious ransom theory and we do actually get some sense of just what these (or any) parents might do to recover their child. The ending is actually a little sad adding an extra layer of authenticity to it and we even get a very early glimpse of Shirley Anne Field, too.
Newly arrived to a remote desert town, Catherine and Matthew are tormented by a suspicion when their two teenage children mysteriously vanish.
Skyler, an ambitious and passionate mental health counselor at the Center for Missing Children, breaks protocol to team up with Mr. Wiggins, a grieving father in search for his daughter. As the story unfolds, peculiar things begin to happen and Skyler becomes the mediator between hurting families and spirits of the missing child. Her dedication to this missing girl's father is tested when the crime leads back to her hometown and she is forced to confront a psychopath she could never have imagined.
Foul-mouthed mother-from-hell Karen Matthews is fed up being a nobody, until she hatches a cunning plan for a shot at the big time. Henpecked common-law husband Craig Meehan has an unhealthy obsession with his laptop. Simple-minded uncle Michael Donovan just wants to fill the void left by his two daughters getting taken into care. Stereotypical Yorkshire copper D.I. Radgitt faces a race against time to unravel the web of lies and find the missing girl, little Shannon Matthews, aged 9.
Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.
After being abducted as children, and suffering years of abuse, a teenage boy and girl find themselves living on the street.
After extricating 17-year-old Lisa Halle from a life of prostitution in Copenhagen, private investigator Varg Veum becomes ensnared in a tangle of parental neglect and bad love when he is hired to locate Lisa's boyfriend, Peter Werner.
When a man's only son goes missing, he travels to the town where his ex-wife lives in search of answers. To play a man whose life is clouded by mystery, McAvoy will not be given a script of dialogue.
With access to family, neighbours and professionals who knew Michael Donovan, this is the story of the man who abducted 9-year-old Shannon Matthews in 2008 and kept her in his flat for 24 days before she was found in a dramatic rescue by the police.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.
A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.