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LOST (Guy Green, 1956) (aka “Tears For Simon”) David Knight, Julia Arnall, David Farrar, Anthony Oliver, Eleanor Summerfield, Thora Hird, Marjorie Rhodes, Meredith Edwards, Shirley Anne Field, Freda Bamford, Robert Brown, Fanny Carby, Cyril Chamberlain, Peggy Ann Clifford, Guy Deghy, Percy Herbert, Joan Hickson, Glyn Houston, Jack Lambert, Arthur Lovegrove, William Lucas, Charlotte Mitchell, Hugh Morton, Dandy Nichols, Joan Sims, Ewen Solon, Marianne Stone, Mona Washbourne, John Welsh, Barbara Windsor, George Woodbridge. All things considered, Lost is a highly watchable film, most particularly for those of us who enjoy British character actors because it’s full of them. This tale of an abducted child follows familiar, well-trodden plot lines, but what really brings it to life is its quirky characterisations and interesting and colourful location shooting. The leads (David Knight and Julia Arnall) are somewhat lacklustre but this is more than compensated for by the effectiveness of the supporting players, and Janet Green’s script which manages to inject some humour into the otherwise dramatic proceedings. The police, in the shape of David Farrar, Anthony Oliver and Eleanor Summerfield, are nicely observed and believable characters. There are pre-Carry On turns from Barbara Windsor and Joan Sims – it’s only surprising there’s no Sidney James, as ubiquitous in 1950s films as he was. But if anyone can be said to steal the show it’s Thora Hird as a self-righteous landlady – she’s only on screen for two minutes but she certainly makes the most of it.
I kind of wished that this had been in black and white - it would certainly have helped inject a bit more suspense into this quite quirky tale of the investigation into the kidnap of a young child from his pram outside a chemist's shop. The parents - David Knight and Julia Arnall give reasonable performances as the despairing parents and David Farrar is effective, if not exactly exuberant, as "Insp. Craig" leading the team on the case. It's got a few underlying storylines aside from the obvious ransom theory and we do actually get some sense of just what these (or any) parents might do to recover their child. The ending is actually a little sad adding an extra layer of authenticity to it and we even get a very early glimpse of Shirley Anne Field, too.
One hundred years ago, an evil bonesetter was killed for his crimes against children. Now in the present a single mother and a shy librarian must discover who is behind a rash of child abductions, is the Bonesetter back to finish his depraved work?
Redd, Evelyn and their son, Kane, find a strange door, bound in padlocked chains, standing upright in the woods. After installing it in their home, strange occurrences lead Evelyn to discover their town's long history of missing children who were never found. Now, Kane has joined their ranks and Redd and Evelyn must strike a bargain with an evil entity to secure his return.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
A female reporter goes undercover to investigate the series of mysterious disappearances of young women, who were all linked to a local drama school.
Flying at 40,000 feet in a state-of-the art aircraft that she helped design, Kyle Pratt's 6-year-old daughter Julia vanishes without a trace. Or did she? No one on the plane believes Julia was ever onboard. And now Kyle, desperate and alone, can only count on her own wits to unravel the mystery and save her daughter.
Newly arrived to a remote desert town, Catherine and Matthew are tormented by a suspicion when their two teenage children mysteriously vanish.
Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.
A mentally ill man searches New York for his missing eight year old daughter. He recreates her steps each day hoping for some clue to her disappearance, until he meets and befriends a woman with a daughter the same age. Could she help him with the missing piece of the puzzle?
Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.
One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn't fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret.
During a visit to the US consulate in Frankfurt, the young son of former Special Forces soldier Sara suddenly disappears without a trace. And not only that: no one seems to remember him ever entering the building. Sara is asked to leave the consulate. But she knows that the German authorities have no access to the consulate. If she leaves now, she may never be allowed to enter the premises again. In her desperate search for her child, Sara disappears into the labyrinth of the consulate, unaware that the noose of a dangerous intrigue is tightening around her neck.