The Tramp and the Dictator

After the events of The African Queen (1951), Charlie and Rose are recaptured by the Germans and forced to tug one of their big cannons that could bring the Nazis victory against the local Allied forces.

Alternately hilarious and horrifying, Overnight chronicles one man's misadventures of making a Hollywood movie. It starts out as a rags to riches story as Troy Duffy, a Boston-bred bartender, sells his first screenplay for The Boondock Saints.

In the darkest days of World War II, St. Peter's was shrouded in the shadow of the swastika. But even as the Führer surrounded him, the Pope was plotting a secret counter-offensive. Wartime Pontiff Pius XII has been derided for his public silence about the Holocaust. But evidence suggests his silence may have been subterfuge.

Here is the hair raising, seat-of-the-pants tale of men who dared to fly their planes, unescorted, to the heart of enemy held Romania to blast the source of German oil. It's also the story of long, low level flights over water, searching for the tell tale sliver of a U-boat periscope. It's a tribute to an underdog that became the most versatile, widely used bomber of World War II. This is THE B-24 LIBERATOR! Aviation A.V. Library brings you this battling classic in a hell-raising video adventure that we call "THE FIGHTING LIBERATOR." From the Bismark Sea to dirt airstrips in China to the exhilaration of the great push on D-Day the Liberator was there, fighting her way over, around and through the Axis ranks.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.