Ebony Attractions 2

A documentary examining the life of civil rights organizer, Jack O'Dell, a close colleague of Dr. Martin Luther King, Jr. and a force in his own right.

An oral history documentary of people of color at Miami University during its Public Ivy period—from 1970 to the early 2000s.

An inspiring love story about a self-described “poor, gay, black man from North Philly” on his historic run for the United States Senate. But this race is about more than taking on the political competition. It’s about taking on an entire system.

Short documentary in which Ivan Barbosa follows Tarikh Janssen's career switch. The actor leaves the movie world behind and returns to top swimming. Together, Barbosa and Janssen explore taboo topics such as white innocence, Black identity and the Black Lives Matter movement to expose the absurdity and seriousness of today's racism debate.

A multimedia performance including film, live narration and dance, How Can You Stay in the House All Day and Not Go Anywhere? explores loss and transcendence experienced in human partnerships. Reflecting on his relationship with 102-year-old former sharecropper, carpenter and gardener Walter Carter as well as Andrei Tarkovsky’s science fiction classic, Solaris, Lemon and 6 dancers create a performance which arcs from turbulent physicality to restorative grace.

Beat poem parable to black youth.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

After a long night out two lonely people awake in unfamiliar places on opposite ends of the same city. Their eventual meeting in a city park can only be described as good fortune.

As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.

Beginning in 1965 with Black Is, Tambellini launched a series of politically charged experimental films that explore the expressive possibilities of black as a dominant color and idea. For the most part Tambellini’s seven “black films” are made without the use of a camera but rather by carefully manipulating the film itself by scorching, scratching, painting and treating the film stock as a type of sculptural and painterly medium.